英语翻译For the Impressionists,particularly Renoir and Monet,Landscape painting was an attempt to reproduce the actual image on the retina,trying to create an equivalent in paint to the scene in bright sunlight.Shadows were painted in the colour

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英语翻译FortheImpressionists,particularlyRenoirandMonet,Landscapepaintingwasanattempttoreproducetheactua

英语翻译For the Impressionists,particularly Renoir and Monet,Landscape painting was an attempt to reproduce the actual image on the retina,trying to create an equivalent in paint to the scene in bright sunlight.Shadows were painted in the colour
英语翻译
For the Impressionists,particularly Renoir and Monet,Landscape painting was an attempt to reproduce the actual image on the retina,trying to create an equivalent in paint to the scene in bright sunlight.Shadows were painted in the colour complements to the colours of the objects,instead of in grey or black,and colour outlines were softened by merging adjoining hues.The result was that Impressionist paintings became images of light and atmosphere rather than objects.Although their intention was to be realistic,the effect was to draw out the rich colour and texture of paint and to demonstrate the soft ,expressive distortions possible within the medium.It is no accident that they inspired the push toward abstraction in future artists.

英语翻译For the Impressionists,particularly Renoir and Monet,Landscape painting was an attempt to reproduce the actual image on the retina,trying to create an equivalent in paint to the scene in bright sunlight.Shadows were painted in the colour
对于印象派,尤其是雷诺阿和莫奈,风景画是对于重现眼中实际影象的尝试,试着创作对应的表现明亮的阳光的画.阴影所用的颜色是对实际物体颜色的补充,而不是灰色或黑色,总体的颜色应该被合并的邻近的颜色所软化.结果就会变成印象派画家的画变成关于光和气的画而不是实物.虽然他们打算画实物,但结果是画出丰富的颜色,用画的质感表现它的柔软,在环境中可能表现得扭曲.他们在抽象画上对今后的艺术家的鼓舞推动并不是偶然的.

对于印象派,特别是雷诺阿和莫奈,山水画是企图重现视网膜上的实际图像,试图建立一个在涂料相当于在明亮的sunlight.Shadows在现场画的色彩,以补充这些对象的颜色,而不是灰色或黑色,颜色的线条很合并毗邻hues.The结果软化是印象派绘画,而不是objects.Although成为他们打算光线和气氛的图像,是切合实际,效果是吸收了丰富的油漆的颜色和纹理,并显示在medium.It软,表现扭曲...

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对于印象派,特别是雷诺阿和莫奈,山水画是企图重现视网膜上的实际图像,试图建立一个在涂料相当于在明亮的sunlight.Shadows在现场画的色彩,以补充这些对象的颜色,而不是灰色或黑色,颜色的线条很合并毗邻hues.The结果软化是印象派绘画,而不是objects.Although成为他们打算光线和气氛的图像,是切合实际,效果是吸收了丰富的油漆的颜色和纹理,并显示在medium.It软,表现扭曲可能并非偶然,它们激发了对未来的艺术家抽象推进。

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