英语翻译WOLFFLIN AND CLASSIC ARTOF THE critical writing discussed in this book,that of HeinrichWolfflin is by far the most widely read.There have been repeatedattempts by art historians to belittle or dissociate themselves fromWolfflin's general

英语翻译WOLFFLIN AND CLASSIC ARTOF THE critical writing discussed in this book,that of HeinrichWolfflin is by far the most widely read.There have been repeatedattempts by art historians to belittle or dissociate themselves fromWolfflin's general
英语翻译
WOLFFLIN AND CLASSIC ART
OF THE critical writing discussed in this book,that of Heinrich
Wolfflin is by far the most widely read.There have been repeated
attempts by art historians to belittle or dissociate themselves from
Wolfflin's general position while following the procedures of his
detailed critical analyses.No great discernment has been needed to
recognise that Wolfflin's formalism is seriously limited,that there
is something strainecl about the way he yokes architecture and
painting,and that his cyclic view ofart history,according to which
a classic style is followed by a baroque elaboration and then the
whole thing starts again,is illuminating but,as it stands,
untenable.But Wolfflin's critics have not made clear the
borderline between the critical strengths and the theoretical
weaknesses.1 And this is of some current interest.For many of us,
whatever our reservations,it would be hard to find a replacement
for The Principles of Art History as a model for the analysis of
painting.

英语翻译WOLFFLIN AND CLASSIC ARTOF THE critical writing discussed in this book,that of HeinrichWolfflin is by far the most widely read.There have been repeatedattempts by art historians to belittle or dissociate themselves fromWolfflin's general
沃尔夫林和经典的艺术
的写作讨论这本书,是海因里希
沃尔夫林是迄今为止最广泛阅读的.有人重复
通过艺术历史学家试图贬低或脱离
沃尔夫林的一般位置而继他的程序
详细的批判性分析.没有伟大的识别已经需要
认识到沃尔夫林的形式受到严重的限制,有
是strainecl对自己的轭结构
绘画,以及他的艺术历史循环的观点,根据
一个经典的风格,其次是巴洛克式的阐述,然后
整件事又开始了,但因为它是发光的,
站不住脚的.但是,沃尔夫林的批评者不明确
关键的优势和理论之间的界线
的弱点.1,这是当前利益.对我们许多人来说,
不管我们的预订,很难找到一个替代品
艺术史的原则作为一个模型分析
绘画.