求剧院魅影的英文剧本啊!大概10分钟的剧情就够了

来源:学生作业帮助网 编辑:六六作业网 时间:2024/12/26 02:29:29
求剧院魅影的英文剧本啊!大概10分钟的剧情就够了求剧院魅影的英文剧本啊!大概10分钟的剧情就够了求剧院魅影的英文剧本啊!大概10分钟的剧情就够了ACTONE  SCENE9  APERFORMANCE

求剧院魅影的英文剧本啊!大概10分钟的剧情就够了
求剧院魅影的英文剧本啊!
大概10分钟的剧情就够了

求剧院魅影的英文剧本啊!大概10分钟的剧情就够了
A C T O N E
  SCENE 9
  A PERFORMANCE OF 'IL MUTO' BY ALBRIZZIO
  (During the overture RAOUL, ANDRE and FIRMIN take their respective seats - RAOUL in Box Five, the
  MANAGERS in a box opposite)
  RAOUL
  Gentlemen, if you would care to take your seats? I shall be sitting in Box Five.
  ANDRE
  Do you really think that's wise, monsieur?
  RAOUL
  My dear Andre, there would apeear to be no seats available, other than Box Five...
  (The front cloth rises to reveal an 18th Century salon, a canopied bed centre-stage, The
  COUNTESS is played by CARLOTTA, SERAFIMO, the page boy, is disguised as her maid and
  is played by CHRISTINE. At this point they are hidden behind the drapes of the bed,
  which are drawn.
  In the room are TWO EPICENE MEN: one a HAIRDRESSER and one a JEWELLER. The JEWELLER is
  attended by NEG. There is also an OLDER WOMAN, the COUNTESS' confidante. All apart
  from MEG are gossiping with relish about the COUNTESS' current liaison with SERAFIMO)
  CONFIDANTE
  They say that this youth
  has set my Lady's
  heart aflame!
  1ST FOP
  His Lordship, sure,
  would die of shock!
  2ND FOP
  His Lordship is
  a laughing-stock!
  CONFIDANTE
  Should he suspect her,
  God protect her!
  ALL THERE
  Shame! Shame! Shame!
  This faithless lady's
  bound for HADES!
  Shame! Shame! Shame!
  (The canopy drapes part and we see the COUNTESS kissing SERAFIMO passionately.
  As the recitative attention turns to the MANAGERS in their box)
  IN THE BOX
  ANDRE
  Nothing like the old operas!
  FIRMIN
  Or the old scenery...
  ANDRE
  The old singers...
  FIRMIN
  The old audience...
  ANDRE
  And every sear sold!
  FIRMIN
  Hardly a disaster beyond all imagination!
  (They chickle, and nod to RAOUL in the opposite box. He acknowledges them)
  ON STAGE
  COUNTESS
  Serafimo - your dishuise is perfect.
  (A knock at the door)
  Who can this be?
  DON ATTILIO
  Gentle wife, admit your loving
  husband.
  ATTENTION BACK TO STAGE
  (The COUNTESS admits DON ATTILIO. He is an old fool)
  DON ATTILIO
  My love - I am called to England
  on affairs of State, and must
  leave you with your new maid.
  (Aside) Though I'd happily take
  the maid with me.
  COUNTESS(Aside)
  The old fool's leabing!
  DON ATTILIO(to COUNTESS)
  addio!
  COUNTESS
  addio!
  BOTH(to each other)
  Addio!
  (He goes, pretending to leave, then hides and watches the action)
  COUNTESS (CARLOTTA)
  Serafimo - away with this pretence!
  (She rips off SERAFIMO'S skirt to reveal his manly breeches)
  You cannot speak, but kiss me in my
  husband's absence!
  Poor fool, he makes me laugh!
  Haha,
  Haha! etc.
  Time I tried to get a better better half!
  COUNTESS AND CHORUS
  Poor fool, he doesn't know!
  Hoho,
  Hoho! etc.
  If he knew the truth, he'd never, ever go!
  (Suddenly from nowhere, we hear the voice of the PHANTOM)
  PHANTOM'S VOICE
  Did I not instruct that Box Five was to be kept empty?
  MEG (terrified)
  He's here: the Phantom of the Opera ...
  (General reaction of bewilderment. CHRISTINE looks fearfully about her)
  CHRISTINE
  It's him ... I know it ... it's him ...
  CARLOTTA (Finding a scapegoat in CHRISTINE, hisses at her)
  Your part is silent, little toad!
  (But the PHANTOM has heard her)
  PHANTOM'S VOICE
  A toad, madame? Perhaps it is you who are the toad ...
  (Again general unease. CARLOTTA and the CONDUCTOR confer and pick up from the opening of the scene)
  CARLOTTA (As the COUNTESS)
  Serafimo, away with this pretence!
  You cannot speak, but kiss me in my croak!
  (Instead of singing she emits a great croak like a toad. A stunned silence. CARLOTTA is as amazed as
  anyone but regains herself and continues. More perturbing, however, is a new sound: the PHANTOM is laughing -
  quietly at first, then more and more hysterically)
  CARLOTTA (as the COUNTESS)
  Poor fool, he makes me laugh -
  Hahahahaha!
  Croak, croak, croak,
  croak, croak, croak, etc.
  (As before. The PHANTOM'S laughter rises. The croaking continues as the chandelier's lights blink on
  and off. The PHANTOM'S laughter, by this time overpowering, now crescendos into a great cry):
  PHANTOM'S VOICE
  Behold! She is singing to bring down the chandelier!
  (CARLOTTA looks tearfully up at the MANAGERS' box and shakes her head)
  CARLOTTA
  Non posso piu ...
  I cannot ... I cannot go on ...
  PIANGI (rushing on)
  Cara, cara ... I'm here ...
  is all right ... Come ... I'm here ...
  (ANDRE and FIRMIN hurry out of the box onto the stage. PIANGI ushers the now sobbing CARLOTTA
  offstage, while the MANAGERS tackle the audience)
  FIRMIN
  Ladies and gentlemen, the performance will continue in ten minutes' time ...
  (He addresses Box Five, keeping one eye on the chandelier as it returns to normal)
  ... when the role of the Countess will be sung by Miss Christine Daae.
  ANDRE (improvising)
  In the meantime, ladies and gentlemen, we shall be giving you the ballet from Act Three of tonight's opera.
  (to the CONDUCTOR)
  Maestro - the ballet - now!
  (The MANAGERS leave, the stage is cleared and music starts again. The BALLET GlRLS enter as a sylvan glade
  flies in. They begin the Dance of the Country Nymphs. Upstage, behind the drop, a series of threatening
  shadows of the PHANTOM. MEG is aware of them and dances out of step. When this culminates in one
  gigantic, oppressive, bat-like shadow, the garotted body of JOSEPH BUQUET falls onto the stage, causing the
  sylvan glade to fly out. Pandemonium.)
  CHRISTINE (calling for help)
  Raoul! Raoul!
  (RAOUL runs on stage and embraces her)
  RAOUL (to CHRISTINE, leading her away)
  Christine, come with me ...
  CHRISTINE
  No... to the roof. We'll be safe there.
  (CHRISTINE and RAOUL hurry off)
  FIRMIN (Attempting to placate the audience as STAGE-HANDS and POLICEMEN crowd onto the stage)
  Ladies and gentlemen, please remain in your seats. Do not panic. It was an accident ... simply an accident ...
  (A statue of 'La Victoire Ailee' - the same as that which tops the proscenium. It is twilight.
  CHRISTINE and RAOUL rush on)
  RAOUL
  Why have you brought us here?
  CHRISTINE
  Don't take me back there!
  RAOUL
  We must return!
  CHRISTINE
  He'll kill me!
  RAOUL
  Be still now ...
  CHRISTINE
  His eyes will find me there!
  RAOUL
  Christine, don't say that ...
  CHRISTINE
  Those eyes that burn!
  RAOUL
  Don't even think it ...
  CHRlSTlNE
  And if he has to kill
  a thousand men -
  RAOUL
  Forget this waking nightmare ...
  CHRISTINE
  The Phantom of the Opera will kill ...
  RAOUL
  This phantom is a fable ...
  Believe me ...
  CHRISTINE
  ... and kill again!
  RAOUL
  There is no Phantom of the Opera ...
  CHRISTINE
  My God, who is this man ...
  RAOUL
  My God, who is this man ...
  CHRISTINE
  ... who hunts to kill ...?
  RAOUL
  ... this mask of death ...?
  CHRISTINE
  I can't escape from him ...
  RAOUL
  Whose is this voice you hear ...
  CHRISTINE
  ... I never will!
  RAOUL
  ... with every breath ...?
  BOTH
  And in this
  labyrinth,
  where night is blind
  the Phantom of the Opera
  is here:
  inside your/my mind ...
  RAOUL
  There is no Phantom of the Opera ...
  CHRISTINE
  Raoul, I've been there -
  to his world of
  unending night ...
  To a world where
  the daylight dissolves
  into darkness ...
  darkness ...
  Raoul, I've seen him!
  Can I ever
  forget that sight?
  Can I ever
  escape from that face?
  So distorted,
  deformed, it
  was hardly a face,
  in that darkness ...
  darkness ...
  (trancelike, then becoming more and more ecstatic)
  But his voice
  filled my spirit
  with a strange, sweet sound ...
  In that night
  there was music
  in my mind ...
  And through music
  my soul began
  to soar!
  And I heard
  as I'd never
  heard before ...
  RAOUL
  What you heard
  was a dream
  and nothing more ...
  CHRISTINE
  Yet in his eyes
  all the sadness
  of the world ...
  Those pleading eyes,
  that both threaten
  and adore ...
  RAOUL (comforting)
  Christine ...
  Christine ...
  PHANTOM (unseen, a ghostly echo of RAOUL's words)
  Christine ...
  CHRISTINE
  What was that?
  (A moment, as their eyes meet. The mood changes.)
  RAOUL
  No more talk
  of darkness,
  Forget these
  wide-eyed fears.
  I'm here,
  nothing can harm you -
  my words will
  warm and calm you.
  Let me be
  your freedom,
  let daylight
  dry -your tears.
  I'm here,
  with you, beside you,
  to guard you
  and to guide you ...
  CHRISTINE
  Say you love me
  every
  waking moment,
  turn my head
  with talk of summertime ...
  Say you need me
  with you,
  now and always ...
  promise me that all
  you say is true -
  that's all I ask
  of you ...
  RAOUL
  Let me be
  your shelter,
  let me
  be your light.
  You're safe:
  No-one will find youQ
  your fears are
  far behind you ...
  CHRISTINE
  All I want
  is freedom,
  a world with
  no more night ...
  and you
  always beside me
  to hold me
  and to hide me ...
  RAOUL
  Then say you'll share with
  me one
  love, one lifetime ...
  Iet me lead you
  from your solitude ...
  Say you need me
  with you
  here, beside you ...
  anywhere you go,
  let me go too -
  Christine,
  that's all I ask
  of you ...
  CHRISTINE
  Say you'll share with
  me one
  love, one lifetime ...
  say the word
  and I will follow you ...
  BOTH
  Share each day with
  me, each
  night, each morning ...
  CHRISTINE
  Say you love me ...
  RAOUL
  You know I do ...
  BOTH
  Love me -
  that's all I ask
  of you ...
  (They kiss)
  Anywhere you go
  let me go too ...
  Love me -
  that's all I ask
  of you ...
  (CHRISTINE starts from her reverie)
  CHRISTINE
  I must go -
  they'll wonder where I am ...
  wait for me, Raoul!
  RAOUL
  Christine, I love you!
  CHRISTINE
  Order your fine horses!
  Be with them at the door!
  RAOUL
  And soon you'll be beside me!
  CHRISTINE
  You'll guard me, and you'll guide me ...
  (They hurry off. The PHANTOM emerges from behind the statue)
  PHANTOM
  I gave you my music ...
  made your song take wing ...
  and now, how you've
  repaid me:
  denied me
  and betrayed me ...
  He was bound to love you
  when he heard you sing ...
  Christine ...
  Christine ...
  RAOUL/CHRISTINE (offstage)
  Say you'll share with
  me one
  love, one lifetime ...
  say the word
  and I will follow you ...
  Share each day with
  me, each
  night, each morning ...
  PHANTOM
  You will curse the day
  you did not do
  all that the Phantom asked
  of you ...!
  (As the roof of the opera house disappears, the opera curtain closes and the PRINCIPALS in 'Il Muto' appear through
  it for their bows, CHRISTINE conspicuously dressed in CARLOTTA'S costume. simultaneously, we hear the maniacal
  laughter of the PHANTOM and see him high above the stage, perilously rocking the chandelier. The lights of the
  chandelier begin flickering and, at a great cry from him, it descends, swinging more and more madly over the
  orchestra pit)
  PHANTOM
  Go! !
  (The chandelier falls to the stage at CHRISTINE'S feet)
  这是很经典的一部分是克里斯丁与拉乌尔在搂互诉衷情的一幕然后魅影来到并听到然后唱出令人心碎的心声!“You will curse the day
  you did not do
  all that the Phantom asked
  of you ...! ”
  真的令人心碎阿 歌词和剧本如上