Poor Fool, He Makes Me Laugh 这首歌的原版是什么

Poor Fool, He Makes Me Laugh 这首歌的原版是什么
Poor Fool, He Makes Me Laugh 这首歌的原版是什么

Poor Fool, He Makes Me Laugh 这首歌的原版是什么
A C T O N E
　　SCENE 9
　　A PERFORMANCE OF 'IL MUTO' BY ALBRIZZIO
　　(During the overture RAOUL, ANDRE and FIRMIN take their respective seats - RAOUL in Box Five, the
　　MANAGERS in a box opposite)
　　RAOUL
　　Gentlemen, if you would care to take your seats? I shall be sitting in Box Five.
　　ANDRE
　　Do you really think that's wise, monsieur?
　　RAOUL
　　My dear Andre, there would apeear to be no seats available, other than Box Five...
　　(The front cloth rises to reveal an 18th Century salon, a canopied bed centre-stage, The
　　COUNTESS is played by CARLOTTA, SERAFIMO, the page boy, is disguised as her maid and
　　is played by CHRISTINE. At this point they are hidden behind the drapes of the bed,
　　which are drawn.
　　In the room are TWO EPICENE MEN: one a HAIRDRESSER and one a JEWELLER. The JEWELLER is
　　attended by NEG. There is also an OLDER WOMAN, the COUNTESS' confidante. All apart
　　from MEG are gossiping with relish about the COUNTESS' current liaison with SERAFIMO)
　　CONFIDANTE
　　They say that this youth
　　has set my Lady's
　　heart aflame!
　　1ST FOP
　　His Lordship, sure,
　　would die of shock!
　　2ND FOP
　　His Lordship is
　　a laughing-stock!
　　CONFIDANTE
　　Should he suspect her,
　　God protect her!
　　ALL THERE
　　Shame! Shame! Shame!
　　This faithless lady's
　　bound for HADES!
　　Shame! Shame! Shame!
　　(The canopy drapes part and we see the COUNTESS kissing SERAFIMO passionately.
　　As the recitative attention turns to the MANAGERS in their box)
　　IN THE BOX
　　ANDRE
　　Nothing like the old operas!
　　FIRMIN
　　Or the old scenery...
　　ANDRE
　　The old singers...
　　FIRMIN
　　The old audience...
　　ANDRE
　　And every sear sold!
　　FIRMIN
　　Hardly a disaster beyond all imagination!
　　(They chickle, and nod to RAOUL in the opposite box. He acknowledges them)
　　ON STAGE
　　COUNTESS
　　Serafimo - your dishuise is perfect.
　　(A knock at the door)
　　Who can this be?
　　DON ATTILIO
　　Gentle wife, admit your loving
　　husband.
　　ATTENTION BACK TO STAGE
　　(The COUNTESS admits DON ATTILIO. He is an old fool)
　　DON ATTILIO
　　My love - I am called to England
　　on affairs of State, and must
　　leave you with your new maid.
　　(Aside) Though I'd happily take
　　the maid with me.
　　COUNTESS(Aside)
　　The old fool's leabing!
　　DON ATTILIO(to COUNTESS)
　　addio!
　　COUNTESS
　　addio!
　　BOTH(to each other)
　　Addio!
　　(He goes, pretending to leave, then hides and watches the action)
　　COUNTESS (CARLOTTA)
　　Serafimo - away with this pretence!
　　(She rips off SERAFIMO'S skirt to reveal his manly breeches)
　　You cannot speak, but kiss me in my
　　husband's absence!
　　Poor fool, he makes me laugh!
　　Haha,
　　Haha! etc.
　　Time I tried to get a better better half!
　　COUNTESS AND CHORUS
　　Poor fool, he doesn't know!
　　Hoho,
　　Hoho! etc.
　　If he knew the truth, he'd never, ever go!
　　(Suddenly from nowhere, we hear the voice of the PHANTOM)
　　PHANTOM'S VOICE
　　Did I not instruct that Box Five was to be kept empty?
　　MEG (terrified)
　　He's here: the Phantom of the Opera ...
　　(General reaction of bewilderment. CHRISTINE looks fearfully about her)
　　CHRISTINE
　　It's him ... I know it ... it's him ...
　　CARLOTTA (Finding a scapegoat in CHRISTINE, hisses at her)
　　Your part is silent, little toad!
　　(But the PHANTOM has heard her)
　　PHANTOM'S VOICE
　　A toad, madame? Perhaps it is you who are the toad ...
　　(Again general unease. CARLOTTA and the CONDUCTOR confer and pick up from the opening of the scene)
　　CARLOTTA (As the COUNTESS)
　　Serafimo, away with this pretence!
　　You cannot speak, but kiss me in my croak!
　　(Instead of singing she emits a great croak like a toad. A stunned silence. CARLOTTA is as amazed as
　　anyone but regains herself and continues. More perturbing, however, is a new sound: the PHANTOM is laughing -
　　quietly at first, then more and more hysterically)
　　CARLOTTA (as the COUNTESS)
　　Poor fool, he makes me laugh -
　　Hahahahaha!
　　Croak, croak, croak,
　　croak, croak, croak, etc.
　　(As before. The PHANTOM'S laughter rises. The croaking continues as the chandelier's lights blink on
　　and off. The PHANTOM'S laughter, by this time overpowering, now crescendos into a great cry):
　　PHANTOM'S VOICE
　　Behold! She is singing to bring down the chandelier!
　　(CARLOTTA looks tearfully up at the MANAGERS' box and shakes her head)
　　CARLOTTA
　　Non posso piu ...
　　I cannot ... I cannot go on ...
　　PIANGI (rushing on)
　　Cara, cara ... I'm here ...
　　is all right ... Come ... I'm here ...
　　(ANDRE and FIRMIN hurry out of the box onto the stage. PIANGI ushers the now sobbing CARLOTTA
　　offstage, while the MANAGERS tackle the audience)
　　FIRMIN
　　Ladies and gentlemen, the performance will continue in ten minutes' time ...
　　(He addresses Box Five, keeping one eye on the chandelier as it returns to normal)
　　... when the role of the Countess will be sung by Miss Christine Daae.
　　ANDRE (improvising)
　　In the meantime, ladies and gentlemen, we shall be giving you the ballet from Act Three of tonight's opera.
　　(to the CONDUCTOR)
　　Maestro - the ballet - now!
　　(The MANAGERS leave, the stage is cleared and music starts again. The BALLET GlRLS enter as a sylvan glade
　　flies in. They begin the Dance of the Country Nymphs. Upstage, behind the drop, a series of threatening
　　shadows of the PHANTOM. MEG is aware of them and dances out of step. When this culminates in one
　　gigantic, oppressive, bat-like shadow, the garotted body of JOSEPH BUQUET falls onto the stage, causing the
　　sylvan glade to fly out. Pandemonium.)
　　CHRISTINE (calling for help)
　　Raoul! Raoul!
　　(RAOUL runs on stage and embraces her)
　　RAOUL (to CHRISTINE, leading her away)
　　Christine, come with me ...
　　CHRISTINE
　　No... to the roof. We'll be safe there.
　　(CHRISTINE and RAOUL hurry off)
　　FIRMIN (Attempting to placate the audience as STAGE-HANDS and POLICEMEN crowd onto the stage)
　　Ladies and gentlemen, please remain in your seats. Do not panic. It was an accident ... simply an accident ...
　　(A statue of 'La Victoire Ailee' - the same as that which tops the proscenium. It is twilight.
　　CHRISTINE and RAOUL rush on)
　　RAOUL
　　Why have you brought us here?
　　CHRISTINE
　　Don't take me back there!
　　RAOUL
　　We must return!
　　CHRISTINE
　　He'll kill me!
　　RAOUL
　　Be still now ...
　　CHRISTINE
　　His eyes will find me there!
　　RAOUL
　　Christine, don't say that ...
　　CHRISTINE
　　Those eyes that burn!
　　RAOUL
　　Don't even think it ...
　　CHRlSTlNE
　　And if he has to kill
　　a thousand men -
　　RAOUL
　　Forget this waking nightmare ...
　　CHRISTINE
　　The Phantom of the Opera will kill ...
　　RAOUL
　　This phantom is a fable ...
　　Believe me ...
　　CHRISTINE
　　... and kill again!
　　RAOUL
　　There is no Phantom of the Opera ...
　　CHRISTINE
　　My God, who is this man ...
　　RAOUL
　　My God, who is this man ...
　　CHRISTINE
　　... who hunts to kill ...?
　　RAOUL
　　... this mask of death ...?
　　CHRISTINE
　　I can't escape from him ...
　　RAOUL
　　Whose is this voice you hear ...
　　CHRISTINE
　　... I never will!
　　RAOUL
　　... with every breath ...?
　　BOTH
　　And in this
　　labyrinth,
　　where night is blind
　　the Phantom of the Opera
　　is here:
　　inside your/my mind ...
　　RAOUL
　　There is no Phantom of the Opera ...
　　CHRISTINE
　　Raoul, I've been there -
　　to his world of
　　unending night ...
　　To a world where
　　the daylight dissolves
　　into darkness ...
　　darkness ...
　　Raoul, I've seen him!
　　Can I ever
　　forget that sight?
　　Can I ever
　　escape from that face?
　　So distorted,
　　deformed, it
　　was hardly a face,
　　in that darkness ...
　　darkness ...
　　(trancelike, then becoming more and more ecstatic)
　　But his voice
　　filled my spirit
　　with a strange, sweet sound ...
　　In that night
　　there was music
　　in my mind ...
　　And through music
　　my soul began
　　to soar!
　　And I heard
　　as I'd never
　　heard before ...
　　RAOUL
　　What you heard
　　was a dream
　　and nothing more ...
　　CHRISTINE
　　Yet in his eyes
　　all the sadness
　　of the world ...
　　Those pleading eyes,
　　that both threaten
　　and adore ...
　　RAOUL (comforting)
　　Christine ...
　　Christine ...
　　PHANTOM (unseen, a ghostly echo of RAOUL's words)
　　Christine ...
　　CHRISTINE
　　What was that?
　　(A moment, as their eyes meet. The mood changes.)
　　RAOUL
　　No more talk
　　of darkness,
　　Forget these
　　wide-eyed fears.
　　I'm here,
　　nothing can harm you -
　　my words will
　　warm and calm you.
　　Let me be
　　your freedom,
　　let daylight
　　dry -your tears.
　　I'm here,
　　with you, beside you,
　　to guard you
　　and to guide you ...
　　CHRISTINE
　　Say you love me
　　every
　　waking moment,
　　turn my head
　　with talk of summertime ...
　　Say you need me
　　with you,
　　now and always ...
　　promise me that all
　　you say is true -
　　that's all I ask
　　of you ...
　　RAOUL
　　Let me be
　　your shelter,
　　let me
　　be your light.
　　You're safe:
　　No-one will find youQ
　　your fears are
　　far behind you ...
　　CHRISTINE
　　All I want
　　is freedom,
　　a world with
　　no more night ...
　　and you
　　always beside me
　　to hold me
　　and to hide me ...
　　RAOUL
　　Then say you'll share with
　　me one
　　love, one lifetime ...
　　Iet me lead you
　　from your solitude ...
　　Say you need me
　　with you
　　here, beside you ...
　　anywhere you go,
　　let me go too -
　　Christine,
　　that's all I ask
　　of you ...
　　CHRISTINE
　　Say you'll share with
　　me one
　　love, one lifetime ...
　　say the word
　　and I will follow you ...
　　BOTH
　　Share each day with
　　me, each
　　night, each morning ...
　　CHRISTINE
　　Say you love me ...
　　RAOUL
　　You know I do ...
　　BOTH
　　Love me -
　　that's all I ask
　　of you ...
　　(They kiss)
　　Anywhere you go
　　let me go too ...
　　Love me -
　　that's all I ask
　　of you ...
　　(CHRISTINE starts from her reverie)
　　CHRISTINE
　　I must go -
　　they'll wonder where I am ...
　　wait for me, Raoul!
　　RAOUL
　　Christine, I love you!
　　CHRISTINE
　　Order your fine horses!
　　Be with them at the door!
　　RAOUL
　　And soon you'll be beside me!
　　CHRISTINE
　　You'll guard me, and you'll guide me ...
　　(They hurry off. The PHANTOM emerges from behind the statue)
　　PHANTOM
　　I gave you my music ...
　　made your song take wing ...
　　and now, how you've
　　repaid me:
　　denied me
　　and betrayed me ...
　　He was bound to love you
　　when he heard you sing ...
　　Christine ...
　　Christine ...
　　RAOUL/CHRISTINE (offstage)
　　Say you'll share with
　　me one
　　love, one lifetime ...
　　say the word
　　and I will follow you ...
　　Share each day with
　　me, each
　　night, each morning ...
　　PHANTOM
　　You will curse the day
　　you did not do
　　all that the Phantom asked
　　of you ...!
　　(As the roof of the opera house disappears, the opera curtain closes and the PRINCIPALS in 'Il Muto' appear through
　　it for their bows, CHRISTINE conspicuously dressed in CARLOTTA'S costume. simultaneously, we hear the maniacal
　　laughter of the PHANTOM and see him high above the stage, perilously rocking the chandelier. The lights of the
　　chandelier begin flickering and, at a great cry from him, it descends, swinging more and more madly over the
　　orchestra pit)
　　PHANTOM
　　Go! !
　　(The chandelier falls to the stage at CHRISTINE'S feet)
　　这是很经典的一部分是克里斯丁与拉乌尔在搂互诉衷情的一幕然后魅影来到并听到然后唱出令人心碎的心声!“You will curse the day
　　you did not do
　　all that the Phantom asked
　　of you ...! ”
　　真的令人心碎阿 歌词和剧本如上