求电影《晚秋》的英文简介有人物的英文介绍就更好了.

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求电影《晚秋》的英文简介有人物的英文介绍就更好了.求电影《晚秋》的英文简介有人物的英文介绍就更好了.求电影《晚秋》的英文简介有人物的英文介绍就更好了.Ayoungwomanwaitsinanempty

求电影《晚秋》的英文简介有人物的英文介绍就更好了.
求电影《晚秋》的英文简介
有人物的英文介绍就更好了.

求电影《晚秋》的英文简介有人物的英文介绍就更好了.
A young woman waits in an empty diner outside a lonely bus stop.Pie and a cup of coffee.She touches neither.Every sound of footsteps,she turns.She smiles."Hi.It's been a long time."
Man chu opens with Anna staggering down a suburban street,bloodied,face bruised,clothes torn.We learn that she has killed her abusive husband.Seven years later,serving out the sentence for her crime,Anna is given two days' compassionate leave to attend her mother's funeral in Seattle,tied to prison by a cell phone that rings periodically and which she must answer,giving her location.
As Anna's bus pulls out of a station,Hoon,a young dandy and rent boy,jumps aboard.He doesn't have enough money to pay for his ticket and asks to borrow money from Anna.He is Korean,Anna is Chinese – he seems to assume a bond?Deciding whether to give a stranger 30 bucks.
Thus two unlikely misfits meet and fall in love,despite all odds.
Man chu,a remake of a 1966 Korean film of the same name,is ravishingly filmed with a RED camera transferred to D-Cinema Cinemascope,featuring deeply affecting lead performances by the Chinese actress Tang Wei and South Korean actor Hyun Bin and strong supporting performances,including two white dancers who silently act out a beautifully composed break-up scene choreographed by Dayna Hanson and dubbed by Anna and Hoon in a brilliant sequence filmed in a derelict amusement park.
Anna and Hoon speak to each other in English,when Anna decides to speak at all.(Tang Wei achieves the lion's share of her unforgettable performance in silence.) In one emotionally devastating scene,Anna tells Hoon her story step by step in Chinese.He interprets by her face and responds to each sentence "Hao" (good) or "Huai" (bad).Though it is evident he does not understand,his responses reveal deep empathy,which Anna recognizes in an extended sequence of acting without words – one among many in this profoundly actorly film.
One slow dissolve on Anna's beautiful face is destined for the annals of film history,I think.