求英语读书笔记,最好是电影的谢谢

求英语读书笔记,最好是电影的谢谢
求英语读书笔记,最好是电影的谢谢

求英语读书笔记,最好是电影的谢谢
《简·爱》 英文读后感
Jane Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’. But as the little governess had said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind. God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more. For a long time, only a person’s GREat virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’. I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
《终结者》The Terminator英文影评
The Terminator is a blazing, cinematic comic book, full of virtuoso moviemaking, terrific momentum, solid performances and a compelling story.
The clever script, cowritten by director James Cameron and producer Gale Anne Hurd, opens in a post-holocaust nightmare, A.D.2029, where brainy machines have crushed most of the human populace. From that point, Arnold Schwarzenegger as the cyborg Terminator is sent back to the present to assassinate a young woman named Sarah Connor (Linda Hamilton) who is, in the context of a soon-to-be-born son and the nuclear war to come, the mother of mankind's salvation.
A human survivor in that black future (Michael Biehn), also drops into 1984 to stop the Terminator and save the woman and the future.
The shotgun-wielding Schwarzenegger is perfectly cast in a machine-like portrayal that requires only a few lines of dialog.
《篱笆墙外》Over the Hedge英文影评
"Over the Hedge" is one of the few comic strips in which you will find debates about the Theory of Relativity, population control and global warming. None of those issues are much discussed in the new animated feature inspired by the strip, but there is a great deal about suburban sprawl, junk food and the popularity of the SUV .
The movie opens with the coming of spring and the emergence from hibernation of many forest animals, including some that do not actually hibernate, but never mind. Vincent the bear awakens to find that his entire stash of stolen food has been -- stolen! He apprehends the master thief RJ the raccoon and gives him a deadline to return the food, or else. RJ cleverly mobilizes the entire population of the forest to help him in this task (during which he does not quite explain the bear and the deadline). And together they confront an amazing development: During the winter, half of their forest has been replaced by a suburb, and they are separated from it by a gigantic hedge.
That's the setup for a feature cartoon that is not at the level of "Finding Nemo" or "Shrek," but is a lot of fun, awfully nice to look at, and filled with energy and smiles. It's not a movie adults would probably want to attend on their own, but those taking the kids are likely to be amused, and the kids, I think, will like it just fine.
Once again we get an animal population where all the species work together instead of eating each other, and there is even the possibility of interspecies sex, when a human's house cat falls in love with Stella the skunk. There is also the usual speciesism; mammals and reptiles are first-class citizens, but when a dragonfly gets fried by an insect zapper, not a tear is shed.
These animals once ate leaves and roots and things, but all that has changed since Hammy the squirrel discovered nacho chips. The animals find these so delicious, they are the forest equivalent of manna, and RJ, who usurps leadership of the bunch from Verne the turtle, is happy to lead them to the promised land of nachos and other junk foods, in the garbage cans and kitchens of humans.
Like all humans who like to live with a view of beautiful forests, the humans in "Over the Hedge" are personally offended that they are occupied by animals. Gladys (Allison Janney), the head of the homeowners' association, is personally affronted that RJ and his cronies might violate her garbage can, and brings in Dwayne (Thomas Haden Church), a pest control expert known ominously as The Verminator. "I want them exterminated as inhumanely as possible," she tells him. She's all heart.
The encroachment of the forest animals and the efforts of the Verminator in "Over the Hedge" don't approach the wit and genius of a similar situation in the Academy Award-winning "Wallace & Gromit: The Curse of the Were-Rabbit" (2005), but then how could they? This movie is pitched at a different level. But the action scenes are fun, the characters are well-drawn and voiced, and I thought the film's visual look was sort of lovely. If the animals lack the lofty thinking of their originals on the comics page, they are nevertheless a notch or two above the I.Q. levels of many an animated creature.
They have to be. It's a hard life for a forager these days, when you're caught between an angry bear on one side of the hedge and a street hockey game on the other.