主语后面接什么成分时要完全倒装保持句子平衡?有这样一句话：Reaching new peaks of popularity in North America is Iceberg Water,which is ahrvested from Icebergs off the coast of Newfoundland,Canada.这是一道考研翻译,倒

主语后面接什么成分时要完全倒装保持句子平衡?有这样一句话：Reaching new peaks of popularity in North America is Iceberg Water,which is ahrvested from Icebergs off the coast of Newfoundland,Canada.这是一道考研翻译,倒
主语后面接什么成分时要完全倒装保持句子平衡?
有这样一句话：Reaching new peaks of popularity in North America is Iceberg Water,which is ahrvested from Icebergs off the coast of Newfoundland,Canada.这是一道考研翻译,倒装是为了把Iceberg Water放在后面,这样可以避免头重脚轻,而且还能和which挨在一起,因为是定语从句嘛!除了这种情况,主语后面是什么成分的时候可以完全倒装?

主语后面接什么成分时要完全倒装保持句子平衡?有这样一句话：Reaching new peaks of popularity in North America is Iceberg Water,which is ahrvested from Icebergs off the coast of Newfoundland,Canada.这是一道考研翻译,倒
英语倒装句用法浅析
倒装(Inversion)是一种语法手段,用以表示一定句子结构的需要和强调某一句子成分的需要.英语的最基本结构是主、谓结构,倒装就是将这种比较固定的结构加以颠倒.
倒装有两种:将主语和谓语完全颠倒过来,叫做完全倒装(Complete Inversion).如:In came a man with a white beard.
只将助动词(包括情态动词)移至主语之前,叫做部分倒装(Partial Inversion).如:Only once was John late to class.
英语句子的倒装一是由于语法结构的需要而进行的倒装,二是由于修辞的需要而进行的倒装.前一种情况,倒装是必须的,否则就会出现语法错误;后一种情况,倒装是选择性的,倒装与否只会产生表达效果上的差异.下面本文就拟从其修辞功能谈谈倒装句的用法.
一、 表示强调:
倒装句最突出、最常见的修辞效果就是强调,其表现形式如下:
1. only +状语或状语从句置于句首,句子用部分倒装.
例1:Only in this way can you solve this problem. 只有用这种方法,你才可以解决这个问题.
例2:Only after he had spoken out the word did he realize he had made a big mistake.只有当他已经说出那个字后才意识到自己犯了个大错误.
2. not, little, hardly, scarcely, no more, no longer, in no way, never, seldom, not only, no sooner等具有否定意义的词或词组位于句首,句子用部分倒装.
例1: No sooner had I got home than it began to rain. 我刚到家就下起了雨.
例2: Seldom do I go to work by bus. 我很少乘公共汽车上班.
3. so / such...that结构中的so或such位于句首可以构成部分倒装句,表示强调so /such和that之间的部分.
例1:So unreasonable was his price that everybody startled. 他的要价太离谱,令每个人都瞠目结舌.
例2:To such length did she go in rehearsal that the two actors walked out. 她的彩排进行得那么长,以致于那两个演员都走出去了.
以上各例都用倒装语序突出了句首成分,其语气较自然语序强烈,因而具有极佳的修辞效果.
二、 承上启下
有时倒装可把前一句说到的人或物,或与前一句有联系的人或物在下一句紧接着先说出来,从而使前后两句在意思上的关系更加清楚,衔接更加紧密,起到承上启下的作用.
例1: They broke into her uncle's bedroom and found the man lying on the floor, dead. Around his head was a brown snake. 他们破门进入她叔叔的卧室,发现他躺在地板上死了.一条棕褐色的蛇缠在他头上.
例2: We really should not resent being called paupers. Paupers we are, and paupers we shall remain. 我们确实不应因为被称作穷光蛋而愤愤不平.我们的确是穷光蛋,而且还会继续是穷光蛋.
三、 制造悬念,渲染气氛
在新闻或文学创作中,有时为了内容的需要,或是为了强调,作者常常运用倒装来制造悬念,渲染气氛.如:
Hanging on the wall was a splendid painting. 墙上挂着一幅精美的图画.
再如朗费罗(Longfellow)《雪花》中的一节:
Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow,
Descends the snow.
在这一节诗里 ,诗人就富有创意地运用了倒装.在前五行中 ,诗人堆砌了七个状语,状语连续出现而主语和谓语却迟迟未露 ,造成一种悬念效应.全节读罢 ,读者才对诗歌的主题恍然大悟 ,因而收到了不同凡响的艺术效果.

如果hardly, scarcely后面接的是any, ever, at all时，意义类似almost no/, there开头的句子,也采用完全倒装来保持句子平衡。如: Here is the letter

这很难说清楚了，要看实际需要。