阮玲玉简介（英文版）英语课前演讲,

阮玲玉简介（英文版）英语课前演讲,
阮玲玉简介（英文版）
英语课前演讲,

阮玲玉简介（英文版）英语课前演讲,
阮玲玉,中国早期影星,原名阮凤根,学名阮玉英.广东中山县人,1910年出生于上海.因为当工人的父亲早逝,孩童时代就随母为人帮佣.母亲节衣缩食,让她上学读书,就读于上海崇德女子中学.1926年,为自立谋生,奉养母亲,考入上海明星影片公司,主演处女作《挂名夫妻》,从此踏入影坛.
之后,相继在“明星”、“大中华百合”公司主演近20部影片,所扮演在爱情、婚姻方面屡遭不幸的少女或娇媚泼辣的风流女子.1930年进联华影业公司,主演该公司创业作《故都春梦》,扮演妓女燕燕获得成功,奠定了她在影坛的地位.
此后,她在《野草闲花》、《三个摩登女性》、《小玩意》、《城市之夜》、《人生》、《归来》、《再会吧,上海》、《香雪海》、《神女》、《新女性》、《国风》等一系列影片中担任主角,在这批暴露社会黑暗,表现下层劳苦群众生活饿影片中,成功塑造了各种饱受苦难的中国妇女形象.
这些形象中,有女工、村妇、教员、舞女、妓女、艺人、作家等.人物大多身世悲惨,经历坎坷,屡遭磨难而一直奋斗不息,虽然最终都是以自杀、出家、入狱、惨死为结局,但都能保持善良正直的天性和纯洁美好的心灵.其中,《神女》是最具代表性的作品,她以精湛的演技,把一个品格崇高的母亲与一个地位卑微的妓女奇迹般地融合为一体,出神入化,令人心灵位之震动.
阮玲玉端庄大方,清丽脱俗.对待表演艺术,她勤奋刻苦,倾注了全部的热情,不懈追求.表演中,她能够准确地体味人物的情感,捕捉到人物感觉,并用适当的眼神、表情、动作准确地表现出来.这种准确的内心感应力和形体表现力结合得又非常自然,显示出她卓越的才华和非凡的功力.
《神女》导演吴永刚曾用“感光最快的胶片”作比喻,给予她高度赞誉.在30年代的中国影坛上,她以重拍次数最少而成为导演们乐于与之合作的演员；又以使观众“每片必看”而成为最有票房号召力的演员.
她的表演才华横溢,光芒四射,达到了中国无声电影时期表演艺术的最高水平,赢得广大观众由衷的倾慕.
然而,这位卓越的女演员婚姻生活十分不幸.1935年,封建恶势力利用有关她的婚姻讼案大作文章,造谣中伤,把一桶桶脏水泼到她的身上.她不堪被辱,留下“人言可畏”的遗言,服药自尽,时年25岁.
作品年表
国风(1935)
香雪海(1934)
神女(1934)
新女性(1934)
人生(1934)(1934)
归来(1934)
再会吧,上海(1934)
城市之夜(1933)
小玩意(1933)
续故都春梦(1932)
三个摩登女性(1932)
恋爱与义务(1931)
一剪梅(1931)
桃花泣血记(1931)
玉堂春(1931)
故都春梦(1930)
野草闲花(1930)
火烧九龙山(1930)
自杀合同(1930)
珍珠冠(1929)
情欲宝鉴(1929)
劫后孤鸿(1929)
大破九龙山(1929)
银幕之花(1929)
蔡状元建造洛阳桥(1928)
白云塔(上集)(1928)
白云塔(下集)(1928)
挂名的夫妻(1927)
血泪碑(1927)
杨小真(1927)
北京杨贵妃(1927)
The best answer - from those who question the election 2006-11-01 08:36:30
Ruan Lingyu, the early Chinese movie star, formerly known as the root Ruanfeng, Ruan Yuying scientific name. Zhongshan in Guangdong Province, was born in Shanghai in 1910. When the workers because of the untimely death of his father, mother's childhood on the domestic well. Mother to live frugally, so that she go to school, a student at the Shanghai School Zonta. In 1926, self-reliance for a living, take care of their own mothers, admitted to the Shanghai-Star Pictures, starring debut, "husband and wife in name only" and then on into the film.
, One after another in the "Star" and "Greater China Lily," starring the company nearly 20 movies, play in love, marriage often unfortunate girl flirtatious or romantic woman's bold and vigorous. Lianhua into the 1930 film, starring the company's business "one-time capital meng," Yan-yan play prostitutes success lay in her film.
Since then, in her "wild Xian Hua", "three modern women" and "gadgets", "City of Night," "Life", "Return", "Goodbye, Shanghai", "Hornsey sea", "goddess "" New Women "and" MAK "series of films as hero in these dark social exposure, the lower the performance of the working life of hungry people in the film, successfully created a variety of long-suffering image of Chinese women.
These images, female, female villagers, teachers, dancers, prostitutes, artists, writers and so on. People most tragic life, going through rough, often suffering and struggle has always flooded, although the ultimate are Suicide, monks, imprisonment, for the tragic death of the outcome, but to maintain the integrity of the kind-hearted nature and purity of a beautiful soul. The "Goddess" is the most representative works, to her excellent acting skills, a mother of noble character and status of a humble prostitutes integration into one miraculous, impressive, it's mind-shock.
Ruan Lingyu dignified and generous, depicted. Treatment for the Performing Arts, her hard-working hard, and devoted all of the enthusiasm, relentless pursuit. Performances, she can accurately appreciate the sentiment figure, to capture the feeling of characters, and appropriate expression, expression, movement and accurately displayed. This accurate sensor inside the body and expressive combination of a very natural, showing her remarkable talent and extraordinary skill.
"Goddess," directed by Wu Yonggang had "the fastest photographic film" metaphor, given her high praise. In the 30s the Chinese film, the remake her to become the least number of directors be happy to work with actors; the audience again, "each must-see" and become the most box-office appeal of the actor.
She's brilliant performances, dazzling to the Chinese performing arts during the silent film of the highest level, won the majority of the audience's heartfelt admiration.
However, the outstanding actress married life is very unfortunate. In 1935, the feudal forces related to the use of her cause Daisaku marriage articles, scandalous, and poured a bucket of water barrels to her body. She can not Piru, leaving "a fearful thing," the last words, taking his own life, when 25 years old.
Chronology of work
MAK (1935)
Hornsey Sea (1934)
Goddess (1934)
New Woman (1934)
Life (1934) (1934)
Return (1934)
Goodbye, Shanghai (1934)
City Night (1933)
Gadgets (1933)
One-time capital continued meng (1932)
Three modern women (1932)
Love and obligations (1931)
Yi Jianmei (1931)
Peach blood in mind (1931)
Yutang Chun (1931)
One-time capital meng (1930)
Xianhua weeds (1930)
Jiulongshan fire (1930)
Suicide contract (1930)
Pearl crown (1929)
Kam Po lust (1929)
Cast Gu Hong (1929)
Jiulongshan big break (1929)
The flowers of the screen (1929)
Cai champion the construction of Luoyang Qiao (1928)
Bai Yun Tower (first half) (1928)
White tower (the set) (1928)
Husband and wife in name only (1927)
Blood and tears Monument (1927)
Yang Zhen (1927)
Beijing Yang (1927)
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