求《飞越疯人院》的英文影评!飞越疯人院的影评,在250左右就可以~

求《飞越疯人院》的英文影评!飞越疯人院的影评,在250左右就可以~
求《飞越疯人院》的英文影评!
飞越疯人院的影评,在250左右就可以~

求《飞越疯人院》的英文影评!飞越疯人院的影评,在250左右就可以~
给你找了三篇.自己看看吧
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Both uplifting and disheartening, sometimes both at once
I went into this film with the knowledge that it had been the second film in history to win the 'top five' Oscars (for Best Picture, Best actor, Best actress, Best director and best screenplay) and has been praised as "one of Jack Nicholson's finest roles" and "one of the classics of the 70's". Naturally, after hearing all this, I had high expectations for One Flew over the Cuckoo's Nest. But nonetheless, I was surprised at how easily the film surpassed my expectations and easily led me to understand how it merited all that praise.
Based on the novel by Ken Kesey, the story follows Randle Patrick McMurphy (Jack Nicholson), who, in an attempt to get out of spending more time in prison, pleads insanity for his crime, and is therefore sentenced to time in a mental institution. This was McMurphy's intention, as he believes the conditions in a "crazy house" will be significantly easier to contend with than another harsh stay in prison. However, he quickly finds out that surviving the institution with it's desolate patients (including Christopher Lloyd, Danny DeVito, Vincent Schiavelli and an absolutely brilliant Brad Dourif as the stuttering Billy Bibbit) and the monstrously repressive Nurse Ratchet (Louise Fletcher, in a career defining role) is considerably harder than he imagined. McMurphy plays pranks, horseplay, and is generally defiant to the rules of the institution in an attempt to raise spirits. His constant optimism and reckless defiance to the out of date rules in the institution can be very uplifting, and often quite funny as well, but much of the movie can be very depressing - the generally decrepit state of the institution is a consistently (and intentionally) bleak background to a superb story with a truly bittersweet ending.
Jack Nicholson is at his best here, head and shoulders above other excellent performances such as in 'Chinatown' or 'As Good as it Gets'. McMurphy is an apparently unquenchable optimist, refusing to succumb to the defeated spirit of all the other patients. His livewire antics, inspiring the patients are generally uplifting, and when his indomitable spirit is finally broken, we really feel for him and his fellow patients. Nicholson conveys the essence of McMurphy to perfection, demonstrating his excellent understanding and interpretation of the character. When McMurphy announces that he is going to lift a huge stone fountain and hurl it through the window to escape, the other patients are so caught up in his intoxicating spirit of freedom that they honestly believe he can do it, despite the fact it would be impossible for a man much stronger than him. When McMurphy finally discovers that despite his best efforts, he cannot lift the fountain, he is so openly crushed that we can't help but feel for him. Beneath the frequent profanities and livewire antics, there are real human emotions, which come across as truly touching.
What can be said about One Flew over the Cuckoo's Nest which hasn't already been said? It has an excellent storyline, top notch acting, painfully bleak visuals, perfectly setting the tone for the movie, and alternates between being truly uplifting to devastatingly depressing. It features perhaps the most memorable film ending ever, next to a man on his horse riding off into the sunset, and leaves the viewer beaten down by the conflicting emotions, unaware what to think of the picture next to reveling in it's glorious entirety. It's hard to produce a final outcome any better than this.
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A great order vs. chaos tale that everyone can relate to
Based on the amazing novel by Ken Kesey, Randall Patrick McMurphy is an antisocial and dangerous man no different than a petty criminal, placed in a mental ward to have his behavior studied. He makes friends with lunatics and starts his own circle of admiration within the hospital, much to the dismay of Nurse Ratched, the central authority figure in the story and one of the greatest movie villains ever.
The movie exists to show not only how corrupt and poorly-constructed society's approach to the "mentally unstable" is, but it creates characters that we have all met in life and shows how the McMurphy-like figure that we all wish we had fights for freedom of choice and basic human rights. In addition to the movie's great spirit, the acting is fantastic. Jack Nicholson is at his best and Danny DeVito can be seen in his very first acting role ( which he absolutely triumphs in ). And of course, there's the unforgettable Chief Bromden. The directing by Milos Forman is very well-done, as the camera-work is excellent and follows the pace of the movie perfectly in how it is used. What really impressed me was the editing, especially as far as the use of audio goes: some parts just made me go "...wow."
My only complaint is that I believe the movie could've been slightly more effective if it were based more closely on the novel at certain points, but the modified point of view of the film does make a great point; anyone who has ever hated their job, been accused of something, had some person so self-righteous and convinced of their own authority and dependency on order get in your way, or attended the American public school system at any point in their life should be able to identify with this movie.
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A wonderful film
Before I discuss this exceptional film, I need to point out that there is a lot of truth to this film if you are looking for what it was like in psychiatric hospitals in the 1950s and into the 60s. The hellish practices and dehumanization was definitely true of many facilities during this era. However, today, many of the horrific abuses are no longer relevant. So, while some will point to this film as proof that psychiatry in general is evil personified (such as the Scientologists), for the most part, this isn't the case today. Shock treatment is rarely done today and when it is, it's nothing like it is portrayed in the film and it actually has therapeutic value when all else fails. Lobotomies are also thankfully a thing of the past. So, while debating the pros and cons of hospitalization and medications is reasonable today, don't assume the film is in any way like psychiatric institutions today--many of which have been closed or severely reduced in size as well as the length of stay of the average patient.
The film begins with a cocky sociopathic criminal, McMurphy (Jack Nicholson), being sent to a psychiatric hospital from prison. It seems McMurphy thinks that by "playing crazy" he'll have an easier time and shorter stay in a hospital instead of prison. However, over time, he comes to see that a mental hospital is a pretty sick place--particularly when it comes to the crazy staff who run the place. McMurphy responds to this system by constantly fighting it and trying to subvert their needless rules and control. Some of this is very funny (such as the fishing trip) and you can understand why he would fight the oppressive ways of the hospital. In the end, however, the system ultimately crushes him like so many others. The conclusion is certainly something you won't forget!
Although Jack Nicholson was great in the film as were the rest of the ensemble cast, the star in the film was Louise Fletcher. She played the coldest and most awful nurse in the history of film. Her tough performance truly made the film. Otherwise, if she hadn't been so utterly devoid of humanity, the film just wouldn't have worked. Oddly, the film's producers had a hard time accepting her for the job--and she was the last one cast in the film.
Exceptional in every way--the writing, acting and direction. The only reservation I have regards the misuse of the film by anti-psychiatry groups. However, I am glad the film was made as the abuses of the industry need to be understood and not forgotten.
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最后找篇短的吧.
Nothing else comes close!
This is in my opinion the greatest American Movie of all time (be it directed by an Eastern European and produced by a second generation Eastern European/American.
It has everything I personally look for in a film. The acting is so convincing that if you didn't know otherwise you'd swear it was real. The script and ad-lib are fantastic. It's intriguing, humorous, emotionally charged, heartbreaking and politically biting all at the same time.
Foreman, Douglas, Nicholson, DeVito, Lloyd and co will never (ever) top this or even get near it if they live to be a hundred.
I hold this movie responsible for my failure to pass the Biology, Chemistry and Physics exams of my final year of School. The night before the papers, I was so engrossed in this movie I stayed awake until 2am and could not get back to sleep after.
I know Jack Nicholson could play the standard non-conformist in his sleep but "One Flew Over The Cookoo's Nest" is the closest Hollywood has come to genius. It should be shown to anyone having a hard time fitting in, feeling a bit different, getting force-fed useless crap from teachers, bored in a tedious working environment, dominated by parents or pushed around by work management. If you watch it and absorb it it will bring out the MacMurphy in all of you.
A total timeless classic because it was relevant when it was made (five years before I was born), it is relevant today and it will still be relevant after I am firmly in the ground.