英语翻译Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Delacroix's use of expressive brushstrokes and his study of the optical effects of color profoundly shaped t
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英语翻译Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Delacroix's use of expressive brushstrokes and his study of the optical effects of color profoundly shaped t
英语翻译
Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Delacroix's use of expressive brushstrokes and his study of the optical effects of color profoundly shaped the work of the Impressionists,while his passion for the exotic inspired the artists of the Symbolist movement.
In contrast to the Neoclassical perfectionism of his chief rival Ingres,Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance,with emphasis on color and movement rather than clarity of outline and carefully modeled form.Dramatic and romantic content characterized the central themes of his maturity,and led him not to the classical models of Greek and Roman art,but to travel in North Africa,in search of the exotic
翻译成中文,
英语翻译Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Delacroix's use of expressive brushstrokes and his study of the optical effects of color profoundly shaped t
尤金·德拉克洛瓦是法国浪漫的艺术家认为从一开始他的职业生涯是法国浪漫的领袖.德拉克洛瓦的富有表现力的线条的使用和研究的光学效果色彩深刻地塑造了印象派画家的作品,而他对异国的热情激发了艺术家的象征主义运动.
与他的主要竞争对手安格尔的新古典主义的完美主义,德拉克洛瓦了鲁本斯的艺术灵感和威尼斯任正非的画家
龙金D从他作为法国浪漫派领袖的职业生涯开始被视为法国浪漫主义艺术家。德拉克洛瓦(D)的富有表现力的笔触和他对色彩的的光学效应深刻研究形成了了印象派画家的作品风格,而他对异国情调的热情和灵感鼓舞着象征主义运动的艺术家。
与他的主要对手安格尔的新古典完美主义相比之下,德拉克洛瓦(D)他的灵感来自于鲁宾斯艺术和威尼斯文艺复兴时期画家,强调颜色和运动而不是清晰的轮廓和仔细地模拟形式。戏剧和浪漫的内...
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龙金D从他作为法国浪漫派领袖的职业生涯开始被视为法国浪漫主义艺术家。德拉克洛瓦(D)的富有表现力的笔触和他对色彩的的光学效应深刻研究形成了了印象派画家的作品风格,而他对异国情调的热情和灵感鼓舞着象征主义运动的艺术家。
与他的主要对手安格尔的新古典完美主义相比之下,德拉克洛瓦(D)他的灵感来自于鲁宾斯艺术和威尼斯文艺复兴时期画家,强调颜色和运动而不是清晰的轮廓和仔细地模拟形式。戏剧和浪漫的内容使他具有成熟的中心主题,并指引他在异国的搜索中除了在北非旅行,远离希腊和罗马艺术的经典模式.
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