求500字以上英文读后感罗密欧与朱丽叶 、麦克白 、 奥赛罗 、威尼斯商人 、 鲁滨逊漂流记 中选择两篇 要求500字以上的

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求500字以上英文读后感罗密欧与朱丽叶、麦克白、奥赛罗、威尼斯商人、鲁滨逊漂流记中选择两篇要求500字以上的求500字以上英文读后感罗密欧与朱丽叶、麦克白、奥赛罗、威尼斯商人、鲁滨逊漂流记中选择两篇要

求500字以上英文读后感罗密欧与朱丽叶 、麦克白 、 奥赛罗 、威尼斯商人 、 鲁滨逊漂流记 中选择两篇 要求500字以上的
求500字以上英文读后感
罗密欧与朱丽叶 、麦克白 、 奥赛罗 、威尼斯商人 、 鲁滨逊漂流记 中选择两篇 要求500字以上的

求500字以上英文读后感罗密欧与朱丽叶 、麦克白 、 奥赛罗 、威尼斯商人 、 鲁滨逊漂流记 中选择两篇 要求500字以上的

  Shakespeare shows his dramatic skill freely in Romeo and Juliet, providing intense moments of shift between comedy and tragedy. Before Mercutio's death in Act three, the play is largely a comedy. After his accidental demise, the play suddenly becomes very serious and takes on more of a tragic tone. Still, the fact that Romeo is banished, rather than executed, offers a hope that things will work out. When Friar Lawrence offers Juliet a plan to reunite her with Romeo the audience still has a reason to believe that all will end well. They are in a "breathless state of suspense" by the opening of the last scene in the tomb: If Romeo is delayed long enough for the Friar to arrive, he and Juliet may yet be saved. This only makes it all the more tragic when everything falls apart in the end.
  Shakespeare also uses subplots to offer a clearer view of the actions of the main characters, and provide an axis around which the main plot turns. For example, when the play begins, Romeo is in love with Rosaline, who has refused all of his advances. Romeo's infatuation with her stands in obvious contrast to his later love for Juliet. This provides a comparison through which the audience can see the seriousness of Romeo and Juliet's love and marriage. Paris' love for Juliet also sets up a contrast between Juliet's feelings for him and her feelings for Romeo. The formal language she uses around Paris, as well as the way she talks about him to her Nurse, show that her feelings clearly lie with Romeo. Beyond this, the sub-plot of the Montague-Capulet feud overarches the whole play, providing an atmosphere of hate that is the main contributor to the play's tragic end.
  Shakespeare uses a large variety of poetic forms throughout the play. He begins with a 14-line prologue in the form of a Shakespearean sonnet, spoken by a Chorus. Most of Romeo and Juliet is, however, written in blank verse, and much of it in strict iambic pentameter, with less rhythmic variation than in most of Shakespeare's later plays. In choosing forms, Shakespeare matches the poetry to the character who uses it. Friar Lawrence, for example, uses sermon and sententiae forms, and the Nurse uses a unique blank verse form that closely matches colloquial speech. Each of these forms is also moulded and matched to the emotion of the scene the character occupies. For example, when Romeo talks about Rosaline earlier in the play, he uses the Petrarchan sonnet form. Petrarchan sonnets were often used by men at the time to exaggerate the beauty of women who were impossible for them to attain, as in Romeo's situation with Rosaline. This sonnet form is also used by Lady Capulet to describe Count Paris to Juliet as a handsome man. When Romeo and Juliet meet, the poetic form changes from the Petrarchan (which was becoming archaic in Shakespeare's day) to a then more contemporary sonnet form, using "pilgrims" and "saints" as metaphors. Finally, when the two meet on the balcony, Romeo attempts to use the sonnet form to pledge his love, but Juliet breaks it by saying "Dost thou love me?" By doing this, she searches for true expression, rather than a poetic exaggeration of their love. Juliet uses monosyllabic words with Romeo, but uses formal language with Paris. Other forms in the play include an epithalamium by Juliet, a rhapsody in Mercutio's Queen Mab speech, and an elegy by Paris. Shakespeare saves his prose style most often for the common people in the play, though at times for other characters, such as Mercutio.
  罗密欧与朱丽叶的读后感(605字).
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  莎士比亚的戏剧技巧展示了他在《罗密欧与朱丽叶》,免费提供激烈变化之间的喜剧、悲剧.在行动之前,茂丘西奥的死亡,主要是三个一部喜剧.他偶然死亡后,突然间变得十分严重,更悲惨的音调.仍然,这一事实,而不是罗密欧放逐,提供了希望的事情就会顺利了.当修士劳伦斯提供朱丽叶计划团聚和罗密欧观众还是她有理由相信所有将结束.他们是在一个“上气不接下气的悬疑的“开放的最后一个场景在坟墓里:如果罗密欧是延迟足够长的时间,到达时,他与师弟朱丽叶可能得救.这只会使它更悲惨的一切瓦解.
  莎士比亚也采用支线提供一个清楚的行动的主要特点,并提供一个轴转动的主要情节围绕.例如,当比赛开始,罗密欧是爱上听话,他已经拒绝了他所有的进步.罗密欧的迷恋她站到他后来形成鲜明对比的是爱,朱丽叶.这提供了一个比较的观众可以看到问题的严重性罗密欧与朱丽叶的爱情和婚姻.巴黎的爱,朱丽叶也设立了一个对比的感觉,他和朱丽叶为罗密欧她的感情.她的正式语言在巴黎的方式,以及她谈到他对她的乳母,表明她的感情清晰与罗密欧.此外,这个sub-plot Montague-Capulet的争执overarches整出戏,提供的气氛的仇恨,是最主要的贡献就是悲惨的结局.
  莎士比亚使用大量的诗歌形式在玩.一开始就有14-line开场白的莎士比亚十四行诗,以合唱.大多数的《罗密欧与朱丽叶》,然而,写在空白的诗句,大部分是在严格的推敲的五步抑扬格,用较少的节奏的变化比大多数的莎士比亚之后打.在选择的诗歌形式,莎士比亚的比赛谁会使用特性.劳伦斯神父为例,采用说教和sententiae形式,护士使用唯一的空白的诗歌形式,接近俗语用法.每一种形式也塑造和匹配的情感特征的场景.例如,当罗密欧谈论,早听话就使用了Petrarchan十四行诗的形式.Petrarchan十四行诗是经常使用的时间被人夸大了美丽的女人都无法做到,就像在罗密欧的情况有听话.这首十四行诗形式也用凯普莱特夫人来形容计数巴黎朱丽叶作为一个英俊的男人.当《罗密欧与朱丽叶》,诗意形式的变化Petrarchan(这是变得过时的莎士比亚天),那么更多的现代十四行诗形式,采用“朝圣者”和“圣人”作为隐喻.最后,当两个阳台上的满足,罗密欧,试图用十四行诗形式将他的爱,但朱丽叶打破它,并且对她说:“你爱我吗?”这样做,她寻找真实的表现,而不是一个充满诗意的夸张他们的爱.罗密欧与朱丽叶采用单音节的词,但是使用正规的语言和巴黎.其他形式的epithalamium玩包括朱丽叶,在茂丘西奥的女王狂想曲挽歌,马伯演说由巴黎.莎士比亚救了他的散文风格最常用于普通民众播放,虽然有时候,为其他字符,例如茂丘西奥.
  希望你能满意~~~