请尽快我提供J.B.Priestley(John Boynton 普里斯特利)的详细介绍,急用!有急用 请尽快!普里斯特利（1894～1984）Priestley,John Boynton英国剧作家,小说家,批评家.生于1894年9月13日,卒于1984年8月14日.1929年出

请尽快我提供J.B.Priestley(John Boynton 普里斯特利)的详细介绍,急用!有急用 请尽快!普里斯特利（1894～1984）Priestley,John Boynton英国剧作家,小说家,批评家.生于1894年9月13日,卒于1984年8月14日.1929年出
请尽快我提供J.B.Priestley(John Boynton 普里斯特利)的详细介绍,急用!
有急用 请尽快!
普里斯特利（1894～1984）
Priestley,John Boynton
英国剧作家,小说家,批评家.生于1894年9月13日,卒于1984年8月14日.1929年出版代表作流浪汉小说《好伙伴》,1931年与诺布洛克合作将其改编成同名剧本,后又拍成影片,并于1974年改编为音乐剧,于是成为当时最有吸引力的剧作家之一.他的剧作主要描写约克郡人们的生活和向往,以刻画人物见长.作品有《危险的角落》、《金链花小树林》、《安乐土的末日》、《我曾来过这里》、《时间和康威一家》、《当我们结婚的时候》、《夜晚的音乐会》、《远在约旦的约翰逊》、《长镜子》、《巡官登门》、《椴树》、《夏日的梦》、《龙口》等.
以上是简介 我想要更详细的 最好是中英文的 有重谢!
我要的是文学家的 他们是重名 请看清楚

请尽快我提供J.B.Priestley(John Boynton 普里斯特利)的详细介绍,急用!有急用 请尽快!普里斯特利（1894～1984）Priestley,John Boynton英国剧作家,小说家,批评家.生于1894年9月13日,卒于1984年8月14日.1929年出
约翰·波因顿·普里斯特利对中国某些读者可能并不是一个陌生的名字,因为在现代英国文学的许多选本他们常发现少不了他的作品,无论是小说,戏剧,散文,都有他的代表作入选,这说明他名气很大,多才而且多产,作品也受到读者欢迎.普里斯特利对社会问题一直是关心的,这贯穿了他的写作生涯,社会批评在他的文学创作中有十分重要的地位.普里斯特利纯粹谈风花雪月、鸟兽虫鱼的小品是很少的,吸引他的注意力的多半是衣食住行之类的生活俗务.就普里斯特利整个创作的散文部分而言,他的题材宽广,文笔幽默隽永,富有个性,但就思想深度来看,若和十九世纪的散文大师如卡莱尔、罗斯金、阿诺德比较,他又缺乏系统哲学修养,不能达到他们的那处博大精深,还称上一个思想家,他的多产也使他写得匆忙,有的篇章难免草率粗糙,他堪称一位优秀的散文作家,但还达不到大师的地位.
The Art of Living
The art of living is to know when to hold fast and when to let go.For life is a paradox:it enjoins us to cling to its many gifts even while it ordains their eventual relinquishment.The rabbis of old put it this way:" A man comes to this world with his fist clenched,but when he dies,his hand is open."
Surely we ought to hold fast to life,for it is wondrous,and full of a beauty that breaks through every pore of God' s own earth.We know that this is so,but all too often we recognize this truth only in our backward glance when we remember what was and then suddenly realize that it is no more.
We remember a beauty that faded,a love that waned.But we remember with far greater pain that we did not see that beauty when it flowered,that we failed to respond with love when it was tendered.
A recent experience re-taught me this truth.I was hospitalized following a severe heart attack and had been in intensive care for several days.It was not a pleasant place.
One morning,I had to have some additional tests.The required machines were located in a building at the opposite end of the hospital,so I had to be wheeled across the courtyard on a gurney.
As we emerged from our unit,the sunlight hit me.That's all there was to my experience.Just the light of the sun.And yet how beautiful it was -- how warming,how sparking,how brilliant!I looked to see whether anyone else relished the sun's golden glow,but everyone was hurrying to and fro,most with eyes fixed on the ground.Then I remembered how often I,too,had been indifferent to the grandeur of each day,too preoccupied with petty and sometimes even mean concerns to respond from that experience is really as commonplace as was the experience itself:life's gifts are precious -- but we are too heedless of them.
Here then is the first pole of life' s paradoxical demands on us :Never too busy for the wonder and the awe of life.Be reverent before each dawning day.Embrace each hour.Seize each golden minute.
Hold fast to life...but not so fast that you cannot let go.This is the second side of life' s coin,the opposite pole of its paradox:we must accept our losses,and learn how to let go.
This is not an easy lesson to learn,especially when we are young and think that the world is ours to command,that whatever we desire with the full force of our passionate being can,nay,will,be ours.But then life moves along to confront us with realities,and slowly but surely this truth dawns upon us.
At every stage of life we sustain losses -- and grow in the process.We begin our independent lives only when we emerge from the womb and lose its protective shelter.We enter a progression of schools,then we leave our mothers and fathers and our childhood homes.We get married and have children and then have to let them go.We confront the death of our parents and our spouses.We face the gradual or not so gradual waning of our strength.And ultimately,as the parable of the open and closed hand suggests,we must confront the inevitability of our own demise,losing ourselves as it were,all that we were or dreamed to be.
普里斯特利
普里斯特利（1894～1984）
Priestley,John Boynton
英国剧作家,小说家,批评家.生于1894年9月13日,卒于1984年8月14日.1929年出版代表作流浪汉小说《好伙伴》,1931年与诺布洛克合作将其改编成同名剧本,后又拍成影片,并于1974年改编为音乐剧,于是成为当时最有吸引力的剧作家之一.他的剧作主要描写约克郡人们的生活和向往,以刻画人物见长.作品有《危险的角落》、《金链花小树林》、《安乐土的末日》、《我曾来过这里》、《时间和康威一家》、《当我们结婚的时候》、《夜晚的音乐会》、《远在约旦的约翰逊》、《长镜子》、《巡官登门》、《椴树》、《夏日的梦》、《龙口》等.