写5个关于英文电影的英语影评!要英语的!每个20个单词.

写5个关于英文电影的英语影评!要英语的!每个20个单词.
写5个关于英文电影的英语影评!要英语的!每个20个单词.

写5个关于英文电影的英语影评!要英语的!每个20个单词.
蜘蛛侠情节想必都知道,以下是影评 You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him. 美国逃犯 Jesse James (Colin Farrell), his brother Frank (Gabriel Macht) and their cousin Cole Younger (Scott Caan) seem to have arrived on the scene just in time for the invention of the electric guitar. It wails on the soundtrack and makes this western, which doubtless considers itself to be a reimagining (as did ''Planet of the Apes''), sound as if it came from the mind of Jon Bon Jovi. Directed with anonymous pep by Les Mayfield, ''Outlaws'' is a dreary populist telling of the story of the James gang. And the Bon Jovi reference is apropos, since the movie treats the fellas like a touring band that breaks up because of feuding egos and the stresses of the road. Cole, incensed over the news focus on the James boys, wants to share the billing. In fact, as their notoriety grows, Cole wants top billing -- the Younger-James Gang -- leading to ruminative riffing by his amiable brother Bob (Will McCormack): ''Wouldn't people wonder if there was an older James gang?'' It would need only a drug casualty to turn into ''Behind the Music: Jesse James,'' though -- choke, sob -- the James tour does claim a couple of lives, and it's easy to predict which ones. This could be the story of any disintegrating band, except that in this group, the Jameses complete each other, as someone said in ''Jerry Maguire.'' Their personalities are worked out in the kind of schematics taught in screenwriting classes. Frank is the plotter and Jesse is all impulse. At the outset, Union soldiers ambush a group of unsuspecting Rebels that includes Jesse, Frank and Cole. Pinned behind a wagon by both cannon and Gatling gunfire, the sharpshooter Frank asks Jesse for a diversion. A smile pulling at the corners of his face, Jesse creates an eye-catching one. At various moments, ''American Outlaws'' looks as if it wants to try something different and make Jesse an infantile psychopath who is awakened by his taste for violence. He lights up when he has a gun in his hand, but he has no conflicts about his nature; he may make you long for the Chekhovian depth of Emilio Estevez's Billy the Kid in the ''Young Guns'' movies. (Missing is the epic emotional scale of previous James Gang movies like ''The Great Northfield, Minnesota Raid'' and ''The Long Riders,'' both worth seeking out.) ''American Outlaws'' paints all of its young stars as happy guys, so uncomplicated that they're thrilled to hear that Lee has surrendered at Appomattox; none of them seem bothered by the fact that the South has just lost the war. Upon returning home, they find that the railroad tycoon Thaddeus Rains (Harris Yulin) is behind a scheme to run them off their farms. (In this age of entertainment conglomerates like AOL-Time Warner, it seems droll for a Warner Brothers picture to single out the big-moneyed interest in one small town as a black-hatted villain.) ''As we have the most power, we may move with impunity,'' Rains snarls to his martinet (Terry O'Quinn), who is only too happy to carry out Rains's orders. Jesse, Frank and the others are forced down the road of vengeance after arson at their farm takes the life of their ma (Kathy Bates, whose maternal hamminess may bring misery to viewers). When Jesse and the gang follow Frank's notion of giving money they've taken from banks back to the poor farmers, they become heroes, and a true menace to Rains. ''They're disciplined and have a charismatic leader,'' notes Allan Pinkerton (Timothy Dalton), the 19th-century rent-a-cop hired by Rains to track down the gang. What Pinkerton doesn't mention, though he doesn't really have to, is that the real leader of the ''Outlaw'' band is Frank, played by Mr. Macht with desert-dry aplomb. It doesn't hurt that he gets the best lines. ''It's the scientific method I hear is all the rage,'' he says when plying a new technique during a crime. The script by Roderick Taylor and John Rogers has made Frank the film's George Burns, wiling away the movie by commenting on the world as it passes him by. 功夫熊猫Kung fu panda, this is the interesting film. Paul wanted to become a wu3 lin2's ace (near master) kung-fu to save those who were in danger, teacher taught him how to fight, and let him go to save the world, at last, he defeated 3 Tailung, he met not friends, I think he is a great hero, I like the movie, because... I like the film . . Each meets his story with emotions ranging from enraptured to derision, as they learn with the audience the incredible life Forrest has led. This includes him starring in the All American Football team, winning a Congressional Medal of Honour in Vietnam, exposing the Watergate scandal and making millions from 'Bubba-Gump shrimping industries', while meeting three different U.S Presidents along the way. The film ends on a poignant note, with Jenny and Forrest meeting again and having a son, as Jenny dies of HIV/AIDS. 歌舞青春 Along with Tom Hanks in the title role Forrest Gump featured an excellent supporting cast, with career bests from Robin Wright Penn as Jenny and Gary Sinise as the legless Vietnam veteran Lt. Dan Taylor. I was inspired by the wonder of a man experiencing his life without realising its significance to the world, just simply wishing for an emotionally damaged woman who goes on to live a lonely life without him. She rejects Forrest, telling him 'he doesn't know what love is', before eventually realising that no-one would ever love her more. 哈里,波特 The musical numbers here are, to be frank, laughable. This certainly isn't the fault of the cast, though. These kids quite obviously have talent both in singing and dancing. The problem comes from the choreography and songs themselves. Nowhere is director Kenny Ortega's "bigger is better" method more appalling than in these numbers. The dancing on display is too steeped in modern sensibilities to be timeless, and yet it's too showy and stagey to be looked at through serious modern eyes. In other words, it's too hip for Broadway and too Broadway for modern dance. All of the songs have a distinctly electronic sound to them and try desperately to be seen more as MTV-style singles than Broadway standards. They don't even contribute much to the storyline. The number one sin in film musicals is having songs that stop the story dead in its tracks. Three-quarters of the numbers here do just that. They're often self-indulgent, and when they aren't, they simply (and needlessly) re-emphasize what's already been established via dialogue. 第一部是蜘蛛侠,第二部是美国逃犯,第三部是功夫熊猫,第四部是歌舞青春,第五部是哈里,波特