跪求:关于安东尼奥 高迪的英文简介.

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跪求:关于安东尼奥高迪的英文简介.跪求:关于安东尼奥高迪的英文简介.跪求:关于安东尼奥高迪的英文简介.AntoniPlàcidGuillemGaudíiCornet(25June1852–10June

跪求:关于安东尼奥 高迪的英文简介.
跪求:关于安东尼奥 高迪的英文简介.

跪求:关于安东尼奥 高迪的英文简介.
Antoni Plàcid Guillem Gaudí i Cornet (25 June 1852 – 10 June 1926) was a Catalan architect who worked during the Modernisme (Art Nouveau) period but became famous for his unique and highly individualistic designs regarded as beyond the scope of Modernisme. He is sometimes referred to, in English, by the Spanish translation of his name, Antonio Gaudí.
  Childhood
  Antoni Gaudí was born in the province of Tarragona in southern Catalonia on 25 June 1852. While there is some dispute as to his birthplace – official documents state that he was born in the town of Reus, whereas others claim he was born in Riudoms, a small village 3 miles (5 km) from Reus,– it is certain that he was baptized in Reus a day after his birth. The artist's parents, Francesc Gaudí Serra and Antònia Cornet Bertran, both came from families of coppersmiths.During his youth, Gaudí suffered many times from the rheumatic fevers that were common at the time. This illness caused him to spend much time in isolation, and it also allowed him to spend lots of time alone with nature.It was this exposure to nature at an early age which is thought to have inspired him to incorporate natural shapes and themes into his later work.
  Early career
  1878–1879: Lampposts for the Pla?a Reial at Barcelona
  1878: Showcase for glove manufacturer Comella. Via this work, used at the World's Fair in Paris, Eusebi Güell came to know the architect.[10]
  1878–1882: Several designs for the Obrera Mataronense at Mataró. Only a very small part of these plans was built, but it shows Gaudí's first use of parabolic arches, here in a wooden structure
  1883–1885: Casa Vicens
  1883–1885: Villa "El Capricho" at Comillas (Cantabria)
  1884: Finca Güell: Entrance pavilion and stables for the palace at Pedralbes (first completed building for Eusebi Güell);
  1885–1889: Palau Güell
  1884–1891: Completion of the crypt of the Sagrada Família (the crypt had been started by the architect Francisco del Villar in 1882, who had to abandon the project in 1883)
  1887–1893: Episcopal Palace at Astorga
  1892–1893: Casa de los Botines at León
  Later years
  Gaudí was a devout Catholic, to the point that in his later years he abandoned secular work and devoted his life to Catholicism and his Sagrada Família. He designed it to have 18 towers, 12 for the 12 apostles, 4 for the 4 evangelists, one for Mary and one for Jesus. One of his closest family members – his niece Rosa Egea – died in 1912, only to be followed by a "faithful collaborator", Francesc Berenguer Mestres, two years later. After these tragedies, Barcelona fell on hard times economically. The construction of La Sagrada Família slowed; the construction of La Colonia Güell ceased altogether. Four years later in 1918, Eusebi Güell, his patron, died.
  Perhaps it was because of this unfortunate sequence of events that Gaudí changed. He became reluctant to talk with reporters or have his picture taken and solely concentrated on his masterpiece, La Sagrada Família.He spent the last few years of his life living in the crypt of the "Sagrada Familia".
  On 7 June 1926 Gaudí was hit by a tram. Because of his ragged attire and empty pockets, many cab drivers refused to pick him up for fear that he would be unable to pay the fare. He was eventually taken to a paupers' hospital in Barcelona. Nobody recognized the injured artist until his friends found him the next day. When they tried to move him into a nicer hospital, Gaudí refused, reportedly saying "I belong here among the poor." He died three days later on 10 June 1926, at age 73, with half of Barcelona mourning his death. He was buried in the midst of La Sagrada Família.
  Although Gaudí was constantly changing his mind and recreating his blueprints, the only existing copy of his last recorded blueprints was destroyed by the anarchists in 1938 during the Spanish Civil War. This has made it very difficult for his workers to complete the church in the fashion Gaudí most likely would have wished. It is for this that Gaudí is known to many as "God's Architect". La Sagrada Família is now being completed, but differences between his work and the new additions can be seen.
  As of 2007, completion of the Sagrada Familía is planned for 2026, which would be the 100th anniversary of Gaudí's death. It is currently at the center of a row over the proposed route of a high-speed rail tunnel that would pass near the church, approximately thirty meters below. Supporters of the tunnel point to many successful tunneling projects under city centers. Detractors cite a metro tunnel in Barcelona’s Carmel district that collapsed and destroyed an entire city block on February 1, 2005. The route passes near some of Gaudí's other works, Casa Batlló and Casa Milà, although deep underground.
  Artistic style
  Gaudí's first works were designed in the style of gothic architecture and traditional Catalan architectural modes, but he soon developed his own distinct sculptural style. French architect Eugene Viollet-le-Duc, who promoted an evolved form of gothic architecture, proved a major influence on Gaudí. The student went on to contrive highly original designs – irregular and fantastically intricate. Some of his greatest works, most notably La Sagrada Família, have an almost hallucinatory power.
  He once said on the subject of gothic architecture:
  Gothic art is imperfect, it means to solve; it is the style of the compass, the formula of industrial repetition. Its stability is based on the permanent propping of abutments: it is a defective body that holds with support… gothic works produce maximum emotion when they are mutilated, covered with ivy and illuminated by the moon.
  The same expressive power of Gaudí's monumental works exists in his oddly graceful chairs and tables. Gaudí's architecture is a total integration of materials, processes and poetics. His approach to furniture design exceeded structural expression and continued with the overall architectural idea.