求一篇英语电影的英文影评,600字~800字,答好给20字数一定要在600~800，不要影片介绍，要的是对电影中人物、音乐、故事情节等的评价。祝大家新年快乐~！

求一篇英语电影的英文影评,600字~800字,答好给20字数一定要在600~800，不要影片介绍，要的是对电影中人物、音乐、故事情节等的评价。祝大家新年快乐~！
求一篇英语电影的英文影评,600字~800字,答好给20
字数一定要在600~800，不要影片介绍，要的是对电影中人物、音乐、故事情节等的评价。
祝大家新年快乐~！

求一篇英语电影的英文影评,600字~800字,答好给20字数一定要在600~800，不要影片介绍，要的是对电影中人物、音乐、故事情节等的评价。祝大家新年快乐~！
Alice in Wonderland 2010
Everyone knows Alice in wonderland,but how well do people truly know?For most Alice in wonderland,is more a series of iconic images than a complete harrative.You think of Alice falling down the rabbit hole or her conversation with caterpillar.All the thing are in Tim Burton's movie but he is used them to craft something entirely different.Burton's Alice is more of a sequel to than a retelling.
As a nearly 20 Alice and we meet her on the eve of her unwilling engagement to a ginger-haired fop.When he pops the question,she run off into the bushes in pursuit of what appears to be a rabbit wearing clothes.She falls down a hole and ends up in a world called"Underland",a place she has been before as a little girl mistakenly called wonderland,and then forgotten.Now she's back and embroiled in an epic prophecy which promises she'll save everyone from the Red Queen's machmations,but is this Alice 'the' Alice?Fortunately,she slaied the Red Queen's Jabberwocky on the Frabjous Day and then come back to the real world.
The main thing here is unlike any other version of Alice.It's all leading somewhere.Alice is a movie about self-confidence and independence.It's feminist film to the core,with a strong female heroine who gets the confidence she needs to achieve in the real world by first discovering her muchness in a fantasy one.
Alice succeed through sheer bravery and willpower,it doesn't mean she succeeds at finding love or getting the right man,or any other things.She goes out into the world and decided to take it by the horns on her own terms.
这是我对爱丽丝的观后感,also和外国朋友聊天时准备的topic,

《卡特教头》这部电影你看过没有？Coach Carter，讲篮球教练的，我搞了篇你看看
"Coach Carter" is inspired by the true story of Ken Carter (Samuel L. Jackson), a controversial California high school basketball coach who took a bunch...

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《卡特教头》这部电影你看过没有？Coach Carter，讲篮球教练的，我搞了篇你看看
"Coach Carter" is inspired by the true story of Ken Carter (Samuel L. Jackson), a controversial California high school basketball coach who took a bunch of unruly underachievers and not only made them contenders but taught them how to find the "victory within."
But while the movie's motivational message is patently praiseworthy, the game it runs across the screen, for well over two hours, is so full of familiar moves from the likes of "Stand and Deliver," "Hoosiers" and "Remember the Titans" that it finally induces more fidgeting than cheers.
Thank goodness then for go-to guy Jackson. He takes what could have been a cardboard clichŽ role and puts flesh on it with his flamboyant intelligence, some sharp speeches and, of course, that castigating stare. In fact, when he first confronts the Richmond High Oilers players in the gym, calling them out as "young sirs," there are great glimmers of his "Pulp Fiction" character, Jules Winnfield, reciting Ezekiel's prophecy of wrath against the Philistines.
Also skilled is the young ensemble cast, including Robert, Ri'chard (who plays Carter's son), Rob Brown, Antwon Tanner, and Rick Gonzalez. They come together to portray a group of impoverished student athletes with a combination of sensitivity and street-smart surliness. Their often profane repartee, peppered with racial epithets and shrewd slurs, shines as the truest part of the script. And singer-songwriter Ashanti makes her acting debut with a thoroughly natural performance as the pregnant girlfriend of one of the players.
What doesn't work is the plodding pace director Thomas Carter ("Save the Last Dance") sets. The story line builds to the moment when Carter antagonizes the community by padlocking the doors to the gym and benching the entire undefeated team because some of the players haven't fulfilled their written contract to keep up their grades. And then it goes on and on from there, losing its momentum and dramatic tension in several tired subplots and at least one too many basketball games decided at the buzzer.
Samuel L. Jackson made news last week by refusing to co-star with 50 Cent in a movie based on the rapper's life. He not only refused, but did it publicly, even though the film is to be directed by six-time Oscar nominee Jim Sheridan ("In America"). A clue to Jackson's thinking may be found in his new film, "Coach Carter," based on the true story of a California high school basketball coach who placed grades ahead of sports. Like Bill Cosby, Jackson is arguing against the anti-intellectual message that success for young black males is better sought in the worlds of rap and sports than in the classroom.
There is however another aspect to Jackson's refusal: He said he thought Sheridan wanted him to "lend legitimacy" to 50 Cent's acting debut. He might have something there. Jackson has an authority on the screen; he occupies a character with compelling force, commanding attention and can bring class to a movie. He might, he said, be interested in working with 50 Cent after the rapper makes another five movies or so, and earns his chops.
This reasoning may not be fair. Consider the work that Ice Cube did in "Boyz N the Hood" (1991), his first movie and the beginning of a successful acting career. Or look at the promise that Tupac Shakur showed, especially in his last feature, "Gridlock'd" (1997), holding his own with the veteran Tim Roth. Maybe 50 Cent has the stuff to be an actor. Maybe not. Jackson's decision may have more to do with the underlying values of the rapper's life; he may not consider 50 Cent's career, so often involving violent episodes, to be much of a role model.
Role models are what "Coach Carter," Jackson's new film, is all about. He plays Ken Carter, who began as a sports star at Richmond (California) High School, setting records that still stand, and then had success in the military and as a small businessman. He's asked to take over as basketball coach, an unpaid volunteer position; the former coach tells him, "I can't get them to show up for school." Ken Carter thinks he can fix that.
The movie was directed by Thomas Carter ("Save the Last Dance"), no relation to the coach. It follows long-established genre patterns; it's not only a sports movie with the usual big games and important shots, but also a coach movie, with inspiring locker room speeches and difficult moral decisions. There are certain parallels with "Friday Night Lights," although there it's the movie itself, and not the coach, that underlines the futility of high school stars planning on pro sports as a career.
Certainly both movies give full weight to public opinion in the communities where they're set -- places where the public's interest in secondary education seems entirely focused on sports, where coaches are more important than teachers, where scores are more important than grades.
Coach Carter wants to change all that. He walks into a gymnasium ruled by loud, arrogant, disrespectful student jocks, and commands attention with the fierceness of his attitude. He makes rules. He requires the students to sign a contract, promising to maintain a decent grade-point average as the price of being on the team. He deals with the usual personnel problems; a star player named Kenyon Stone (Ron Brown) has a pregnant girlfriend named Kyra (R&B singer Ashanti, in her, ahem, first role), and she sees a threat to her future in Carter's determination to get his players into college.
Ken Carter's most dramatic decision, which got news coverage in 1999, was to lock the gymnasium, forfeit games and endanger the team's title chances after some of his players refused to live up to the terms of the contract. The community of course was outraged that a coach would put grades above winning games; for them, the future for the student athletes lies in the NBA, not education.
Given the odds against making it in the NBA (dramatically demonstrated in the great documentary "Hoop Dreams"), this reasoning is like considering the lottery a better bet than working for a living.
Jackson has the usual big speeches assigned to all coaches in all sports movies, and delivers on them, big time. His passion makes familiar scenes feel new. "I see a system that's designed for you to fail," he tells his players, pointing out that young black men are 80 percent more likely to go to prison than to go to college. The movie's closing credits indicate that six of the team members did go on to college, five with scholarships. Lives, not games, were won.
从剧情本身，到主演Samuel Jackson的分析，很到位了，你可以用用；当然这部电影也不错你可以有空看看，打字打得累死了，嘿嘿；新年快乐啊

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你是猪，不要以为贴上时髦的标签就以为你不是猪！
人的身上是有猪的本性的！
我想，这就是导演为什么会选择一头小猪作为电影的主角！
我一向不愿意看动画片的！至少我觉得真人的影像才能带来真实感！
这部动画影片却纠正了我的偏执，它让我笑着哭。
本以为它应当是给人以轻松搞笑的，可我确看到伤心！
不知道为什么，当影片进行到麦太与麦兜许愿不再吃鸡的那一段！麦兜：“...

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你是猪，不要以为贴上时髦的标签就以为你不是猪！
人的身上是有猪的本性的！
我想，这就是导演为什么会选择一头小猪作为电影的主角！
我一向不愿意看动画片的！至少我觉得真人的影像才能带来真实感！
这部动画影片却纠正了我的偏执，它让我笑着哭。
本以为它应当是给人以轻松搞笑的，可我确看到伤心！
不知道为什么，当影片进行到麦太与麦兜许愿不再吃鸡的那一段！麦兜：“...我希望我争气，妈妈不用挤眼泪，不用有更年期....如果妈妈开心......我愿意以后都不吃我最最喜欢的鸡！”麦太说：“......妈妈在外面，其实也不是一头成功的母猪.....我每天回到家，最开心最开心就是能做一顿好吃的，看着你吃的样子，这个使我能够给你的最简单最基本的幸福，所以，若果你以后不再吃妈妈做的鸡，妈妈再也看不到你吃鸡的样子，那妈妈的一切就没有了！”我眼泪止不住的往外溢，伴随着阵阵心酸！我想到了我和我的妈妈。从麦兜身上，我看到了自己的影子。如果我妈妈能开心，我愿意去做任何事！从麦太身上，我更感觉到的是妈妈。妈妈说过，她最大的心愿就是可以看着我健健康康的长大！如果说每个中国人都可以从阿Q身上找到自己的影子，我却从一头小猪的希望里看到自己！有泪不轻弹，未到伤心处！一部《麦兜》却如针尖一样扎进我的心脏。
“一丁点儿”这个词也是在影片中出现过很多回，刚看完影片时，我最不理解的是麦仲肥与麦兜故事有什么关系！感觉很牵强。后来，“不会差一丁点儿 ”让我有了感触，麦仲发明每样东西总是差那么一丁点，麦太经商总是差那么一丁点，麦兜的学习也总是差那么一丁点....做每一件事，总是差那么一丁点而没有做成！这是我除了笑之外的另一处尴尬！总是差那么一丁点！在我们的现实生活中，有多少心底善良，努力上进的人们，然而总是因为差那么一丁点而没做成！难道这不正是说道我们的痛处吗!生活，它是苦涩的！
感谢作者创作了麦兜，常看到一行字，本故事纯属虚构！然而，我却在麦兜的故事里体味到了，善良，心酸还有一个真实的世界！

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