英语翻译Curtis Mayfield was one of the key figures of 60s and 70s soul and funk music:in the same ballpark of influence as Sly Stone,Isaac Hayes and Smokey Robinson.As a singer he had a distinctive falsetto style; as a songwriter he was at the fo

英语翻译Curtis Mayfield was one of the key figures of 60s and 70s soul and funk music:in the same ballpark of influence as Sly Stone,Isaac Hayes and Smokey Robinson.As a singer he had a distinctive falsetto style; as a songwriter he was at the fo
英语翻译
Curtis Mayfield was one of the key figures of 60s and 70s soul and funk music:in the same ballpark of influence as Sly Stone,Isaac Hayes and Smokey Robinson.As a singer he had a distinctive falsetto style; as a songwriter he was at the forefront of putting social commentary into soul music,while creating a new brand of funk; and as a producer,he led the style known as 'Chicago Soul' and injected his funky visions into later versions of it.
Mayfield made his first musical impact as the lead singer and songwriter of The Impressions.Originally formed with Jerry Butler as the leader,Mayfield took over when Butler departed in 1962.Under Mayfield's guidance,The Impressions had a string of hit singles:"Gypsy Woman","It's All Right","Keep On Pushing","People Get Ready","We're a Winner" and "Choice of Colours".These latter few are particularly notable for their social consciousness:the Impressions were a popular act promoting pride among African-Americans.
In 1970 Mayfield left the Impressions to pursue a solo career (though he would continue to write and produce for his previous bandmates).Debut album Curtis showed off his new unique solo style and included the famous tracks "Move On Up" and "(Don't Worry) If There's A Hell Below,We're All Going To Go".His live album the following year was also received well and is now regarded as one of the best live soul albums ever released.It was followed quickly by Roots,which continued his lyrical themes of hoping for peace and understanding with tracks like "Beautiful Brother Of Mine".His biggest success,both commercially and artistically,was to follow in 1972 when he soundtracked the blaxploitation film Superfly.As Marvin Gaye had done the previous year with What's Going On,Superfly discussed the problems of inner-city street life for poor black Americans:poverty,pimps and prostitution,drugs,dealers and death.Boosted by two hit singles ("Freddie's Dead" and "Superfly"),it was a massive success that won Mayfield soundtracking commissions for years to come.Astutely observed,darkly funky and beautifully arranged,Superfly remains the greatest blaxploitation soundtrack album ever recorded and one of the landmark albums of that decade.
Unfortunately Mayfield struggled to repeat the trick with his following solo albums,with only There's No Place Like America Today (1975) coming close to the quality of Superfly or the preceding albums.However,he continued to produce for other artists such as Gladys Knight,Aretha Franklin,and his former bandmate Jerry Butler.
In 1990 Mayfield was paralysed after being hit by a lighting rig while performing in New York.His health deteriorated due to diabetes throughout the 90s,and on Boxing Day 1999,he died at the age of 57.

英语翻译Curtis Mayfield was one of the key figures of 60s and 70s soul and funk music:in the same ballpark of influence as Sly Stone,Isaac Hayes and Smokey Robinson.As a singer he had a distinctive falsetto style; as a songwriter he was at the fo
Curtis Mayfield was one of the key figures of 60s and 70s soul and funk music: in the same ballpark of influence as Sly Stone, Isaac Hayes and Smokey Robinson. As a singer he had a distinctive falsetto style; as a songwriter he was at the forefront of putting social commentary into soul music, while creating a new brand of funk; and as a producer, he led the style known as 'Chicago Soul' and injected his funky visions into later versions of it.
Curtis Mayfield是60与70年代灵魂和放克音乐的核心人物之一；将他的影响力与Sly Stone、Isaac Hayes及Smokey Robinson媲美,大致正确.作为歌手,他拥有一种独特的假声风格；作为曲作者,在创造一种新型放克音乐的同时,他还是一个将社会评论融入灵魂乐的领军人物；而作为一位制作人,他引领一种称为‘芝加哥灵魂’的曲风,并将他的放克愿景注入到较后的版本.
Mayfield made his first musical impact as the lead singer and songwriter of The Impressions. Originally formed with Jerry Butler as the leader, Mayfield took over when Butler departed in 1962. Under Mayfield's guidance, The Impressions had a string of hit singles: "Gypsy Woman", "It's All Right", "Keep On Pushing", "People Get Ready", "We're a Winner" and "Choice of Colours". These latter few are particularly notable for their social consciousness: the Impressions were a popular act promoting pride among African-Americans.
Mayfield初次冲击乐坛是他在The Impressions组合充当主唱与曲作者的时期；该组合的创始人及领队Jerry Butler于1962年离队后,Mayfield就取而代之.在他的领导下,The Impressions推出一系列的畅销单曲："Gypsy Woman"、 "It's All Right"、 "Keep On Pushing"、 "People Get Ready"、 "We're a Winner" 及"Choice of Colours".后几首歌曲特别引人注目的是其社会意识的体现；The Impressions所推崇的自我尊严,深受非洲裔美国人的欢迎.
In 1970 Mayfield left the Impressions to pursue a solo career (though he would continue to write and produce for his previous bandmates). Debut album Curtis showed off his new unique solo style and included the famous tracks "Move On Up" and "(Don't Worry) If There's A Hell Below, We're All Going To Go". His live album the following year was also received well and is now regarded as one of the best live soul albums ever released. It was followed quickly by Roots, which continued his lyrical themes of hoping for peace and understanding with tracks like "Beautiful Brother Of Mine".
Mayfield于1970年离开The Impressions去追寻他的独唱生涯（不过他还继续给前队友写歌与制作）.他的首张专辑‘Curtis’ 展示了他新颖独特的独唱风格,并包括著名歌曲"Move On Up" 及 "(Don't Worry) If There's A Hell Below, We're All Going To Go".第二年发行的演唱会现场录音专辑也深受好评,如今已被认为是历来发行的最佳灵魂乐现场录音专辑之一.接着很快地推出‘Roots’,该专辑继续他那希望和平与理解的抒情主题,如"Beautiful Brother Of Mine".
His biggest success, both commercially and artistically, was to follow in 1972 when he soundtracked the blaxploitation film Superfly. As Marvin Gaye had done the previous year with What's Going On, Superfly discussed the problems of inner-city street life for poor black Americans: poverty, pimps and prostitution, drugs, dealers and death. Boosted by two hit singles ("Freddie's Dead" and "Superfly"), it was a massive success that won Mayfield soundtracking commissions for years to come. Astutely observed, darkly funky and beautifully arranged, Superfly remains the greatest blaxploitation soundtrack album ever recorded and one of the landmark albums of that decade.
当他在1972年为黑人风潮电影‘Superfly’配乐迎来了他在商业与艺术方面的最大成就.犹如上一年Marvin Gaye的电影‘What's Going On’,‘Superfly’论述的是美国贫穷黑人在城市里的街区生活问题：贫困、皮条客与娼妓、毒品、交易者与死亡.借助其中两首畅销单曲的推进,该电影获得巨大成功；Mayfield 也因此获得未来几年的电影配乐委托.‘Superfly’的敏锐观察、呈黑色的放克风格以及优美的编排,使它依然是有史以来最伟大的黑人风潮电影原声专辑,也是在那十年里的标志性专辑之一.
Unfortunately Mayfield struggled to repeat the trick with his following solo albums, with only There's No Place Like America Today (1975) coming close to the quality of Superfly or the preceding albums. However, he continued to produce for other artists such as Gladys Knight, Aretha Franklin, and his former bandmate Jerry Butler.
遗憾的是,Mayfield在他后续的多张独唱专辑里想重复该手法时却是心有余而力不足；仅有‘There's No Place Like America Today’(1975年)能够接近‘Superfly’或更早的专辑水平.不过,他还继续为其他艺人的唱片进行制作,如Gladys Knight、Aretha Franklin以及他的前组合成员Jerry Butler.
In 1990 Mayfield was paralysed after being hit by a lighting rig while performing in New York. His health deteriorated due to diabetes throughout the 90s, and on Boxing Day 1999, he died at the age of 57.
1990年Mayfield在纽约表演时被照明装置击中导致瘫痪不起.整个九十年代由于身患糖尿症,他的健康日益恶化,终于在1999年的节礼日离开人世,享年57..
【英语牛人团】

罗马音
Love. Love. Love.
Love Song -
Love. Love. Love.
Love Song -
amudo saranghal su eopseo
nugudo neowa gateul suneun eopseo
neo hanabakke moreuneun nan baboinikka

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罗马音
Love. Love. Love.
Love Song -
Love. Love. Love.
Love Song -
amudo saranghal su eopseo
nugudo neowa gateul suneun eopseo
neo hanabakke moreuneun nan baboinikka
dorawa maldo jal motaeseo
neoui mam doedollil meotjin mal hana
saenggak motaneun najiman neo eopsi mot sal geot gata
Oh~ Oh~ Oh~ saranghae Oh~ Oh~ Oh~ saranghae
Oh~ Oh~ Oh~ tto museun mari deo piryohani
i se geulja heunhan hanmadi nae jeonbureul da geon i hanmadi
naman honja geotneun gireun neomu sseulsseulhae
honjaraneun saenggage deo seulpeojyeo
tteonajima ajik nae mam soge neon
nal saranghan moseupdeul ppuninde
naneun honjaseoneun amugeotdo anin geol
niga isseoya biroso naingeol
neo aljanha urin hamkke isseoya biroso hanaran geol
Love. Love. Love.
Love Song -
Love. Love. Love.
Love Song -
harudo ani han sungando
neol ijeo nael suga eomneun geol
ani neo eomneun naui maeumeun eonjena gyeourilgeoya
Oh~ Oh~ Oh~ saranghae Oh~ Oh~ Oh~ saranghae
Oh~ Oh~ Oh~ tto museun mari deo piryohani
i se geulja heunhan hanmadi nae jeonbureul da geon i hanmadi
naman honja geotneun gireun neomu sseulsseulhae
honjaraneun saenggage deo seulpeojyeo
tteonajima ajik nae mam soge neon
nal saranghan moseupdeul ppuninde
naneun honjaseoneun amugeotdo anin geol
niga isseoya biroso naingeol
neo aljanha urin hamkke isseoya biroso hanaran geol
nansaeng cheoeumiya ireoke apeungeon
gaseumi jjijeojin geot gata..
naman honja geotneun gireun neomu sseulsseulhae
honjaraneun saenggage deo seulpeojyeo
tteonajima ajik nae mam soge neon
nal saranghan moseupdeul ppuninde
naneun honjaseoneun amugeotdo anin geol
niga isseoya biroso naingeol
neo aljanha urin hamkke isseoya biroso hanaran geol
I Love You Forever
中文歌词

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有句话，很珍惜的话，要对你说，因为一年或许才能说一次，我想现在是该大声说出来的时候了，我要大叫……春节快乐：）

柯蒂斯梅菲尔德是六七十年代黑人音乐的重要人物之一:影响力与斯利斯通,爱萨克海耶斯,斯摩克罗宾逊看齐;作为歌手,他有独特的假声唱法;作为一名新派黑人流行乐的创作者,他把自身放在大众对黑人音乐评论的漩涡中心;作为一名制作人,他是著名的"芝加哥黑人乐"风格的引领者,并且一直把他的"疯克"乐远景注入到未来的"芝加哥黑人乐"团中.
梅菲尔德在音乐上的第一次扬名立万是作为"印象"乐团的主唱和歌曲创作者...

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柯蒂斯梅菲尔德是六七十年代黑人音乐的重要人物之一:影响力与斯利斯通,爱萨克海耶斯,斯摩克罗宾逊看齐;作为歌手,他有独特的假声唱法;作为一名新派黑人流行乐的创作者,他把自身放在大众对黑人音乐评论的漩涡中心;作为一名制作人,他是著名的"芝加哥黑人乐"风格的引领者,并且一直把他的"疯克"乐远景注入到未来的"芝加哥黑人乐"团中.
梅菲尔德在音乐上的第一次扬名立万是作为"印象"乐团的主唱和歌曲创作者,这个乐团最初是以杰里巴特勒为领导创立的.1962年巴特勒去世后梅菲尔德接手了乐团的领导."印象"乐团有一系列主打歌曲:"吉普塞女人""它是对的""向前冲""人民准备好拉""我们是胜利者""色彩的选择",这后面几首歌曲由于它们的社会意识形态内容而尤其有名.印象乐团的广受好评的演出提升了非洲裔美国黑人的自豪感.
1970年梅菲尔德离开了印象乐团去开始他的独唱生涯(尽管他还继续为他的前乐团成员创作和制作歌曲).柯蒂斯的首张专辑展示了他新的独特的独唱风格,包括"向上爬""(别担心)如果有地狱,我们都去".他来年的现场演出专辑也成绩斐然,至今被认为是所出版的最好的黑人音乐专辑之一.很快这种模式被ROOTS乐团跟风,他们继续着他们的以理解和和平为主题的抒情风格,包括象"我的美丽兄弟"这样的唱片.梅菲尔德随之而来的最大的商业和艺术上的成功是1972年录制了以黑人为主要演员的电影SUPERFLY的原声歌曲.就象MAVIN GAYE前一年的电影WHAT 'S GOING ON所要阐述的那样,电影SUPERFLY讨论了充斥于市井生活中的贫穷的美国黑人问题:贫穷,皮条客,妓女,毒品,小贩,死亡.在两首主打单曲"弗雷德之死'和"SUPERFLY"的提振下,它帮组梅菲尔德取得了多年后的一系列电影原声歌曲灌制的成功.经过敏锐的观察,带着阴郁的"疯克"风格和巧妙的改编,SUPERFLY仍然是有史以来最伟大的黑人主演的电影原声专辑并且是过去十年间里程碑式的专辑之一.
不幸的是,梅菲尔德后来的个人专辑努力想复制这种成功,但仅仅只有There's No Place Like America Today (1975)这一首接近SUPERFLY和较早前的专辑水平.然而,他继续在为其他艺术家象Gladys Knight, Aretha Franklin以及他的前乐队同伴Jerry Butler制作唱片.
1990年梅菲尔德在纽约的一次演出中被照明设备击中而导致瘫痪,整个90年代由于糖尿病的折磨他的健康每况愈下,1999年的12月26日,他与世长辞,终年57岁.

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柯蒂斯菲尔德是60年代和70年代的灵魂，放克音乐的重要人物之一：在影响力，斯莱斯通，以撒海耶斯和斯莫基罗宾逊相同看球。作为一名歌手，他有一个独特的假声的风格;作为一名作曲家，他是在付诸灵魂音乐的社会评论，同时创造一个新品牌前列的恐惧，以及作为制作人，他领导的'芝加哥灵魂和已知的风格它注入了更高版本的质朴愿景。梅菲尔德使他第一次作为主唱和词曲作者的印象音乐的影响。原来与杰里巴特勒形成了以领导者，梅菲...

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柯蒂斯菲尔德是60年代和70年代的灵魂，放克音乐的重要人物之一：在影响力，斯莱斯通，以撒海耶斯和斯莫基罗宾逊相同看球。作为一名歌手，他有一个独特的假声的风格;作为一名作曲家，他是在付诸灵魂音乐的社会评论，同时创造一个新品牌前列的恐惧，以及作为制作人，他领导的'芝加哥灵魂和已知的风格它注入了更高版本的质朴愿景。梅菲尔德使他第一次作为主唱和词曲作者的印象音乐的影响。原来与杰里巴特勒形成了以领导者，梅菲尔德接手当巴特勒在1962年离开。根据Mayfield的指导下，展示了一个单曲字符串：“吉普赛女人”，“没事”，“继续前进”，“人民准备好”，“我们是冠军”和“色彩的选择”。后面这些少数特别适合他们的社会意识值得注意：一个流行的印象是促进各行为非裔美国人的骄傲。在1970年留下的印象梅菲尔德追求个人职业生涯（虽然他会继续写，他以前的队友生产）。首张专辑柯蒂斯炫耀他的新的独特的个人风格，其中包括著名的曲目“移动在UP”和“（不要担心），如果有一个地狱下面，我们都会去”。他的演唱专辑次年也收到很好，现在最好的活的灵魂有史以来发布专辑之一。其次是迅速被根，这继续为和平与像“美丽的哥哥”轨道的理解，希望他的抒情主题。他最大的成功，无论是商业和艺术，是在1972年跟随他soundtracked的blaxploitation电影Superfly的。由于马文盖伊已经完成了这是怎么回事，比上一年，Superfly的讨论党内生活的城市街道为贫困黑人的问题：贫穷，皮条客和卖淫，毒品，经销商和死亡。由两个（“Freddie的死亡”，“Superfly的”）的单曲的带动下，这是一个巨大的成功，赢得梅菲尔德soundtracking未来几年的佣金。敏锐地观察到，黑暗质朴和优美的安排，Superfly的仍然是最大的blaxploitation原声大碟有史以来和该十年的具有里程碑意义的专辑之一。不幸的是梅菲尔德挣扎着重复他的个人专辑后，只有伎俩，没有地方，如美国今天（1975年）即将接近或前Superfly的专辑的质量。然而，他继续生产，如格拉迪斯奈特，艾瑞莎富兰克林，他的前团员杰里巴特勒其他艺术家。 1990年瘫痪后，梅菲尔德被灯光打钻机在纽约演出。由于他的健康状况恶化糖尿病整个90年代，并于1999年圣诞节翌日，他在57岁就去世了。

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柯蒂斯带关键球员之一,是60和70年代的音乐灵魂和恐慌差不多相同的金额“有所作为”狡猾的石头、以撒海耶斯和烟雾罗宾逊。他唱歌就搞得有他自己的独特风格;他在歌曲把社会评论的前沿成灵魂音乐,而创造一种新品牌的两难的境地,又像制作人,他率领风格被称为“芝加哥”,灵魂注入其另类的异象到之后的版本。
音乐影响了他的第一个带歌手和作曲家为先导的印象。原来由杰瑞·巴特勒作为领导者,带接管当巴特勒离开于1...

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柯蒂斯带关键球员之一,是60和70年代的音乐灵魂和恐慌差不多相同的金额“有所作为”狡猾的石头、以撒海耶斯和烟雾罗宾逊。他唱歌就搞得有他自己的独特风格;他在歌曲把社会评论的前沿成灵魂音乐,而创造一种新品牌的两难的境地,又像制作人,他率领风格被称为“芝加哥”,灵魂注入其另类的异象到之后的版本。
音乐影响了他的第一个带歌手和作曲家为先导的印象。原来由杰瑞·巴特勒作为领导者,带接管当巴特勒离开于1962年。带一份你下的引导下,印象中取得了一个又一个的经典名曲:“吉普赛女人”,“没关系”、“继续推进”,“人民的准备”,“我们是一个胜利者”和“喜欢的颜色”。最值得注意的是有后面这几个为他们的社会意识:留下的印象是一个受欢迎的行动促进的自豪感,而非裔美人。
在1970年离开了带对追求独唱生涯(尽管他将继续写和生产为自己原先的乐队)。炫耀他的首张专辑《新的独特的个人风格,包括著名的轨迹”继续高”和“(不用担心)如果有地狱下,我们都要去"。过专辑在接下来的一年里也收到了,就认为是最好的一种生活的灵魂的专辑曾经释放。接下来的是,迅速地根继续他的抒情主题为和平与理解的希望与跟踪我的兄弟,像“美丽”。他最大的成功,商业和美术都跟随他soundtracked 1972年的电影blaxploitation Superfly。马文Gaye所做的,与去年正在进行的东西,Superfly讨论了城市街头生活的问题为贫穷的美国黑人:贫穷、皮条客和卖淫、药品、经销商和死亡。由于两个单曲(“弗雷迪死了”和“Superfly”),这是一个巨大成功赢得委员会soundtracking带所有的、都败落了。Astutely观察,黑暗时髦的和漂亮地陈列,Superfly仍然是有史以来最大的blaxploitation音乐专辑之一,这一里程碑式的事件的专辑这十年里。
不幸的是带努力重复同样的手段和他的证明的个人专辑,只有没有地方比得上今天的美国接近(1975)的质量或Superfly前专辑。然而,他继续产生其他艺术家格拉骑士,Aretha富兰克林、和他的前bandmate杰里·巴特勒)。
在1990年瘫痪带时遭受照明设备,当执行在纽约。他的健康越来越差在整个90年代由于糖尿病,1999年,他在节礼日去世,享年57岁。

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