有没有用英文介绍女作家三毛的?用英语介绍一下三毛,我急用啊,要长点的,不要一两句话就没了,急用急用~

有没有用英文介绍女作家三毛的?用英语介绍一下三毛,我急用啊,要长点的,不要一两句话就没了,急用急用~
有没有用英文介绍女作家三毛的?
用英语介绍一下三毛,我急用啊,要长点的,不要一两句话就没了,急用急用~

有没有用英文介绍女作家三毛的?用英语介绍一下三毛,我急用啊,要长点的,不要一两句话就没了,急用急用~
你可以找到中文的介绍,然后到google用它来翻译一下就ok,就是有些会翻译得不伦不累,你要重组一下句子,但是单词肯定没有问题!

Three generations of Chinese children have grown up reading about the adventures of the country's most popular comic book hero. Michelle Zhang with the Shanghai Daily looks back over the life of Sanma...

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Three generations of Chinese children have grown up reading about the adventures of the country's most popular comic book hero. Michelle Zhang with the Shanghai Daily looks back over the life of Sanmao on the 70th anniversary of his "birth" today.
Just like Tintin with young Western fans of comic strip heroes, Sanmao -- a happy-go-lucky resourceful boy with only three locks of hair -- has been entertaining youthful Chinese readers from the day he was "born" 70 years ago today.
"Sanmao is perhaps the oldest Chinese cartoon character still alive today," says Zhang Rongrong, son of the famous late painter Zhang Leping (1910-92) who created Sanmao. "Many of Sanmao's contemporaries, such as 'Mr Wang' and 'Miss Bee,' are no longer remembered by people. However, Sanmao still remains many people's favorite."
Sanmao, which means "three locks of hair" in Chinese, is traditionally a popular nickname for children, especially around the Yangtze Delta. His cartoon image is known to all Chinese both home and abroad. Sanmao is a resilient, innocent boy who always insists on having a child's perspective when dealing with the adult world.
According to Zhang Rongrong, more than 10 million copies of different editions on Sanmao have been printed since the first edition was released in Shanghai. The young boy's adventures have also been adapted into various movies, TV series and dramas.
"It is not an exaggeration to say that three generations of Chinese -- from the elderly to children in kindergartens -- have grown up with Sanmao," he says.
The cartoon strips have also been translated into many foreign languages and introduced to other regions and countries. The boy's bittersweet stories have moved thousands of readers around the world. Renowned late Taiwanese writer Chen Ping (1943-91) even chose "San Mao" as her pen name out of her deep fondness and sympathy for the lonely, homeless boy.
Today, the whole nation is celebrating Sanmao's 70th birthday and in his birth place of Shanghai, a launching ceremony for two books on Sanmao and his "father" Zhang Leping will be held today at the Shanghai Library.
Earlier this month, a newly adapted multimedia children's drama Sanmao Joins the Army was staged in Beijing and attracted audiences of thousands of young people. Meanwhile, a 104-episode cartoon sitcom about Sanmao is now being made by China Central Television, together with an online game designed by a Chengdu-based company. In the game, a modern version of Sanmao will guide players in an exploration of the planets of the solar system.
"If my father were still alive, he would be very glad to see the children of today enjoying a peaceful and happy childhood through Sanmao's stories," Zhang says.
Perhaps one of the main reasons for Sanmao being so widely loved is that he never fails to keep up with the times.
Sanmao's life can be divided into four periods -- from his early childhood to being "the orphan in the army" before becoming "an orphan on the streets" until he finally finds a new happy life.
The 1930s, or the early period of Sanmao's life, is considered to be a period of great advancement in the development of China's modern cartoon industry. In Shanghai alone back then, there were more than 20 cartoon magazines and cartoon comics could be found in most of the newspapers. In 1936, the first nationwide exhibition on cartoon works was organized and an association bringing together all the best-known cartoonists was formed, marking 1936 "The Year of Cartoon."
"However, almost all the cartoon images created by Chinese artists at that time were of adults instead of children, " Zhang recalls. "The emergence of Sanmao filled a blank space -- young readers had finally found their own equivalent of Mickey Mouse or Popeye."
Sanmao's "father" Zhang Leping also broke a rule by not adding words to his comic strips at a time when cartoon works had dialogue.
"Sanmao was created for all the people, including the poor and the illiterate," explains the junior Zhang. "Every time when my father finished a cartoon, he always showed it to us first to see whether we could understand -- if we couldn't, he would restart."
In two years from 1935 to 1937, Zhang Leping had created more than 200 works about Sanmao who was just like any naughty boys in the neighborhood. However, China's War of Resistance against Japanese Aggression (1937-45) broke out and forced the cartoonist to stop working on Sanmao for almost 10 years.
He resumed his work in 1946 and decided to draw images reflecting his thoughts and experiences of the war years. Sanmao Joins the Army published at local newspaper became a smash hit because of its vivid portrayal of what life was like. Using Sanmao's resilient innocence, the author dramatized the confusion brought about by the war and expressed his concern for its young victims.
After the war ended, the lost boy came back to Shanghai, then an economically depressed industrial city, and continued his "new" roaming life on the streets. This led to the stories for Sanmao's Orphan Tramp, the best-known and most successful of the Sanmao series.
Featuring a total of 261 cartoon strips, the Sanmao series tells of the miserable life led by the homeless boy. Through Sanmao's eyes, people see the joys and hardships of life in old Shanghai.
"My father created the orphan Sanmao in tears especially when he saw the young orphans frozen to death on the streets," Zhang recalls. "With his pen, he wanted to help those real life Sanmaos.
"Many of the incidents that happened to Sanmao were actually my father's own personal experiences," he says. "For example, through Sanmao, he told about the experience of being an apprentice when he was a little child."
As soon as the cartoon serial appeared in the paper, it evoked such reverberations that Zhang Leping often received letters, money, or even packages of clothes from the readers who asked him to give them to Sanmao.
In 1948, Kunlun Film Studio firstly brought the stories onto the silver screen. The movie An Orphan on the Streets is considered as one of the best Chinese children's movies even till today and has won major awards at some foreign film festivals.
Sanmao's stories entered a new stage after the Liberation in 1949. The great changes of the country have provided Zhang Leping with infinite inspirations. In the following years, he had created various significant Sanmao works in succession, such as Sanmao Greets Liberation, Sanmao's Past and Present, Sanmao Loves Sports and Sanmao Loves Science.
The master cartoonist had never stopped drawing Sanmao until his last days. After he passed away, his family set up a company to collect his previous works as well as to popularize the image of Sanmao all over the world.
"For many people, Sanmao is still the poor orphan wandering on the streets, whose image reminds them of the tribulations of the old society," Zhang Rongrong says. "Although always staying the same small physical size, Sanmao is growing up with the times. He is no longer a hungry, homeless boy but a healthy, smart student in the 21st century.
"Sanmao has similar dreams to those of today's children. For example, he is looking forward to exploring outer space so we helped him realize the dream in a play," he smiles. "There are many, many more plans for Sanmao --people will have to wait and see."

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wo zhi you zhong wen
三毛 本名陈平，一九四三年三月二十六日生，浙江省定海县人，中国文化大学哲学系。肄业曾留学欧洲，婚后定居西属撒哈拉沙漠迦纳利岛，并以当地的生活为背景，写出一连串脍炙人口的作品。一九八一年回台后，曾在文化大学任教，一九八四年辞去教职，而以写作、演讲为重心。一九九一年一月四日去世，享年四十八岁。
她的足迹遍及世界各地，她的作品也在全球的华人社会...

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wo zhi you zhong wen
三毛 本名陈平，一九四三年三月二十六日生，浙江省定海县人，中国文化大学哲学系。肄业曾留学欧洲，婚后定居西属撒哈拉沙漠迦纳利岛，并以当地的生活为背景，写出一连串脍炙人口的作品。一九八一年回台后，曾在文化大学任教，一九八四年辞去教职，而以写作、演讲为重心。一九九一年一月四日去世，享年四十八岁。
她的足迹遍及世界各地，她的作品也在全球的华人社会广为流传，在大陆也有广大的读者，生平著作和译作十分丰富。共有二十四种。
三毛英文名叫ECHO，三毛本是笔名，从三毛的《闹学记》序中只提及“三毛”二字中暗藏一个易经的卦。但又是什么玄机，就不得而知了。但三毛本人又曾说过：起初起此名，是因为这个名字很不起眼，另有一个原因就是说自己写的东西很一般，只值三毛钱。
三毛于1943年3月26日（农历2月21日）生于四川重庆。幼年时期的三毛就表现对书本的爱好，5岁半时就在看《红楼梦》。初中时期几乎看遍了市面上的世界名著。初二那年休学，由父母亲悉心教导，在诗词古文、英文方面，打下次坚实的基础。并先后跟随顾福生、邵幼轩两位画家习画。
1964年，得到文化大学创办人张其均先生的特许，到该校哲学系当旁听生，课业成绩优异。
1967年再次休学，只身远赴西班牙。在三年之间，前后就读西班牙马德里大学、德国哥德书院，在美国伊诺大学法学图书馆工作。对她的人生经验和语文进修上有很大助益。
1970年回国，受张其均先生之邀聘在文大德文系、哲学系任教。后因未婚夫猝逝，她在哀痛之余，再次离开，又到西班牙。与苦恋她6年的荷西重逢。
1973年，于西属撒哈拉沙漠的当地法院，与荷西公证结婚。在沙漠时期的生活，激发她潜藏的写作华，并受当时《联合报》主编的鼓励，作品源源不断，并且开始结集出书。
第一部作品《撒哈拉的故事》在1976年5月出版。
1979年9月30日夫婿荷西因潜水意外事件丧生，回到台湾。
1981年，三毛决定结束流浪异国14年的生活，在国内定居。同年1月，《联合报》特别赞助她往中南美洲旅行半年，回来后写成《万水千山走遍》，并作环岛演讲。之后，三毛任教文化大学文艺组，教小说创作，散文习作两门课程，深受学生喜爱。
1984年，因健康关系，辞卸教职，而以写作、演讲为生活重心。
1989后4月首次回大陆家乡，发现自己的作品在大陆也拥有许多的读者。并专诚拜访以漫画《三毛流浪记》驰名的张乐平先生，了确夙愿。
1990年从事剧本写作，完成第一部中文剧本，也是她最后一部作品《滚滚红尘》。
1991年1月4日清晨去世，享年48岁。
三毛神秘死亡：多年未破的谋杀案
1991年1月4日清晨7时，当台湾某医院的清洁女工轻轻推开一间单人病房的门时，一副可怕的情景出现在她眼前——
在坐厕旁的点滴架的吊钩上，悬挂着三毛的身体，身着白底红花睡衣……
一个精灵，一个用自己亲身经历幻化出的语言影响着台湾和大陆不止一代人的传奇女作家——三毛离开了人世。
台湾警方的结论是：“因病厌世”。
关于三毛的死，人们议论纷纷：有人说，三毛长期为疾病所折磨，再也不堪忍受疾病的痛苦；有人说，三毛一生为情所困，这一次也是死在一个“情”字上；有人说，三毛受《红楼梦》的影响太深，她认为生就是死，死就是生；有人说，三毛的死与《滚滚红尘》有关；有人说三毛之死是去赴荷西之约；有人说，三毛死于江郎才尽，写不出好作品；有人说三毛之死与政治压力有关；……
但这些看似成理的说法，却都经不住仔细的推敲。
如绝症无望说，其实三毛于1月2日经过手术诊断，确认不是癌症，而是一般的妇科疾病。医生说，这种病通常都能治好，问题不是很大，排除了压在三毛心头的一块大石头。三毛身体确实不好，而且有多种疾病，但绝非外界盛传：她染上了绝症。
有人把三毛的死因归结于她所写的电影剧本《滚滚红尘》没获得最佳剧本奖。其实，三毛对她会不会得奖“看得很淡”。自己的作品被别人曲解和别有用心的人的攻击，除了不平和愤怒之外，还有些“伤心难禁”，但她根本就没有把这件事放在心上，说三毛死于《滚滚红尘》，乃无稽之谈！
在三毛的感情世界中，从来都主张智慧、勇敢和道德。她和荷西从恋爱到结婚到婚后，没有缠绵的色彩，没有柔和的小夜曲，有的只是真切和坦率。纵观三毛的感情生活，是曲折坎坷、跌宕起伏，而不是寻寻觅觅、凄凄惨惨，更不用说为“情”所困了！
古继堂先生在他的《评说三毛》中，关于三毛的死则更直接地说：其一，如果三毛真的决心要死，为什么还要到医院治病呢？其二，三毛死的环境缺乏自缢气氛。一般有准备去死的人，要先设计和创造死的环境，比如紧闭的门窗，除去自己不喜欢的东西，偷偷留下遗嘱等，三毛是个十分精细的女人，这些她都应该想到。其三，三毛死的方式不足以毙命。输液架只有1.6米，与死者一样高，还要架上长筒丝袜栓了脖子和铁钩拉直后的多余长度，三毛的尸体怎么可能“半悬在马桶上方”？其四，三毛曾信誓旦旦地宣布：“有责任的人是没有死亡的权利的。”
三毛没有自杀的计划，她已经安排好新一年的工作，她给贾平凹写了至情至诚的信，她在一篇文章中一再地说：“生命是美丽的……”
三毛自杀的证据很不充分熆墒侨世界的人都知道三毛自杀了，因为警方的结论和媒体铺天盖地的报道。其实熅方“因病厌世”的结论，也只是在三毛死后七八个小时之后，赶到现场根据表面现象推断出来的。幼年期的三毛即显现对书本的爱好，5岁半时就在看《红楼梦》。初中时几乎看遍了市面上的世界名著。初二那年休学，由父母亲自悉心教导，在诗词古文、英文方面，打下深厚的基础。并先后跟随顾福生、邵幼轩两位画家习画。在沙漠时期的生活，激发她潜藏的写作才华，并受当时担任《联合报》主编平鑫涛先生的鼓励，作品源源不断，并且开始结集出书。第一部作品《撒哈拉的故事》在1976年5月出版。1981年，三毛决定结束流浪异国14年的生活，在国内定居。同年11月，《联合报》特别赞助她往中南美洲旅行半年，回来后写成《万水千山走遍》，并作环岛演讲。
之后，三毛任教文化大学文艺组，教小说创作、散文习作两门课程，深受学生喜爱。1990年从事剧本写作，完成她第一部中文剧本，也是她最后一部作品《滚滚红尘》。1991年1月4日清晨去世，享年48岁。

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