英语翻译后面的两章偏重阐释性,以期对明代中后期四六文的某些特性作出尝试性探讨：第三章从中晚明时期骈文选本多为四六启选本的特点出发,考察明代中后期四六启盛行的内在原因.本章

英语翻译后面的两章偏重阐释性,以期对明代中后期四六文的某些特性作出尝试性探讨：第三章从中晚明时期骈文选本多为四六启选本的特点出发,考察明代中后期四六启盛行的内在原因.本章
英语翻译
后面的两章偏重阐释性,以期对明代中后期四六文的某些特性作出尝试性探讨：
第三章从中晚明时期骈文选本多为四六启选本的特点出发,考察明代中后期四六启盛行的内在原因.本章从四六启的礼仪性特征切入,首先对四六启的礼仪性特征予以溯源,在此基础上对唐五代四六启与宋明四六启之特点作出比较,从封建社会礼乐制度建设的宏观角度对四六启的历史使命加以探讨,并结合明代中后期文人对作为古典书启两种基本表现形态的四六启和散体尺牍的讨论,指出晚明四六启在当时社会文化中的负面效应.
第四章结合晚明小品风气盛行的状况,从中晚明骈文选本中受到小品风气影响的一类入手,考察中晚明时期骈文批评的“小品化”倾向.本章认为在明代中后期,出现了一种全新的文学审美范式——小品审美范式,这种审美范式产生以后,在当时社会文化中产生了深远的影响,并形成了晚明独特的“小品精神”,在这种风气中,中晚明的骈文批评也产生“小品化”的迹象.所谓骈文批评的“小品化”,是指一些文人尤其是选家开始以小品批评的眼光看待骈文作品,从而为四六批评提供一种全新的视角.本章通过对中晚明骈文选本、骈文选本以及小品选本的综合考察,来对晚明骈文批评“小品化”的过程进行尝试性的探讨.
不要机译啊,没法用,我这次再加二十分,哪怕能翻译出大致准确的脉络我就给分了,

英语翻译后面的两章偏重阐释性,以期对明代中后期四六文的某些特性作出尝试性探讨：第三章从中晚明时期骈文选本多为四六启选本的特点出发,考察明代中后期四六启盛行的内在原因.本章
后面的两章偏重阐释性,以期对明代中后期四六文的某些特性作出尝试性探讨：
The last two chapters emphasis on interpretation, intending to probe certain nature of siliuwen in late-mid-ming dynasty.
第三章从中晚明时期骈文选本多为四六启选本的特点出发,考察明代中后期四六启盛行的内在原因.The third chapter study the underlying reasons for the popularity of pianwen in late-mid-ming dynasty according to the feature that most pianwen selection in that period are siliuqi .
本章从四六启的礼仪性特征切入,首先对四六启的礼仪性特征予以溯源,在此基础上对唐五代四六启与宋明四六启之特点作出比较,This chapter takes ceremonial features of siliuqi as the breakthrough point .it begins with tracing the origin of that feature and compares the characteristics of siliuqi in tang with that in dongming.从封建社会礼乐制度建设的宏观角度对四六启的历史使命加以探讨,并结合明代中后期文人对作为古典书启两种基本表现形态的四六启和散体尺牍的讨论,指出晚明四六启在当时社会文化中的负面效应.it discusses the historic mission of siliuqi from a macroscopic view -The construction of feudal social ritual music system , and pointsout siliuqi of late Ming society 's negative effects to the culture at that time by combining the scholar's discussion about siliuqi and anyichidu-the two basic forms of classic books -in late-mid-ming dynasty. 第四章结合晚明小品风气盛行的状况,从中晚明骈文选本中受到小品风气影响的一类入手,考察中晚明时期骈文批评的“小品化”倾向.本章认为在明代中后期,出现了一种全新的文学审美范式——小品审美范式,这种审美范式产生以后,在当时社会文化中产生了深远的影响,并形成了晚明独特的“小品精神”,在这种风气中,中晚明的骈文批评也产生“小品化”的迹象.
Chapter four starts with certain kind selection in late-mid-ming dynasty that influenced by the essay,combines with the popularity of essay in late Ming Dynasty , to probe the painwen criticism's essay tendency.This chapter argues that in the late Ming Dynasty, emerged a new literary aesthetic paradigm - essay aesthetic paradigm, since then it at that time produced a far-reaching social and cultural impact at that time and formed the late Ming unique "essay spirit ".in such an atmosphere, the parallel prose in the late Ming critics also have a tendency of " essaylize". 所谓骈文批评的“小品化”,是指一些文人尤其是选家开始以小品批评的眼光看待骈文作品,从而为四六批评提供一种全新的视角.本章通过对中晚明骈文选本、骈文选本以及小品选本的综合考察,来对晚明骈文批评“小品化”的过程进行尝试性的探讨.
The so-called " essaylize"refers to the scholars -in particular selectors -began to look critically at painwen work, so as to provide a new perspective for siliu. This chapter through the comprehensive inspection of anthology in the late Ming painwen ,prose anthology andessay selections, to discuss the probe to the process of " essaylize" of pianwen criticism anthology in late ming dynasty.